* 2 styles: 草案(そうあん)style tea room, and the 書院(しょいん)style * 利休 would use 赤楽 in the 2 mat room, and 黒楽 in the 4.5 room ===History=== * First proper tea room with 4.5 mats was built during 足利(あしかが) / 室町(むろまち)period (1338-1573), in the 銀閣寺(きんかくじ) (CQ12). ===草案=== * the 草案 style is not terribly new, the first reference we find in Nara period (~700 AD), in Empress Genshō's following poem: //This chamber built with barked wood\\ Brought from the grove nearby\\ And thatched with obana strems\\ Shall stand a thousand years// * 1462 describes a tea room with a small door, decorated with Chinese objects and a Chinese painting. * In Okakura, he explains, however, how the tea room is made for the tea master, to his taste, and is not supposed to stand for eternity. * More concretely, in Sakai of Jōō's time, the concept of a mountain hermitage in the city was already popular (see [[history#Development of 侘び茶 in the Urban Middle Ages (CQ56)|here]]) * Transition from 書院 to 草案 style marked by the disappearing of the staggered shelves * Jōō built a famous 4.5 畳 tea room: 同仁斎(どうじんさい)(first one actually by his teacher) * 利休's [[taian|待庵]] obviously the most famous example. * As Rodrigues explains: These houses cost a lot of money; //this povery is really very rich and wealthy//. * In the first passage of the first book of the [[nanpouroku|南方録]], 利休 explains how true 茶の湯 can only be done in the 草(そう)-style room. ===Building One=== * Pillars of 床 different from other pillars (Okakura) * Asymmetry as a guiding principle, so the guests can complete it in their heads. * It is important it is completely closed, so no interaction with the outside world is possible. This is the main difference between the hut and the normal Japanese room (CQ26). ===After 利休=== * 織部(おりべ) then coined the 燕庵(えんなん)style: 3.75 畳, adding one mat for the attendants, and some connected rooms. {{ ::ennan.jpg?direct&400 |}} * 遠州(えんしゅう)reintroduced 書院 feel, for example in 密庵(みつあん) * 有楽(うらく)created 如庵(じょあん) → Nobody continued 利休's style ===坪ノ内 (CQ81)=== * Walled space in front of 躙口(にじり ぐち), which serves as a interim space between mundane outside world and tearoom. Later, the 路地(ろじ)would play this role