ホモテナシ

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chitose [31.10.2025:0748] – [Thoughts on the 点前] aequiviniuschitose [26.10.2026:1834] (current) – aequivinius
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-   * [[literature|CQ43]] explains the versatility of the box: lid can be used as 干菓子盆, for 点心(てんしん)or for お白湯(おさゆ). Bottom part for 主菓子 or 炭斗. +   * [[literature|CQ43]] explains the versatility of the box: lid can be used as 干菓子盆, for てんしん or for お白湯. Bottom part for 主菓子 or 炭斗. 
-   * 古帛紗 is 12 × 12.8, it's smaller. If you use a standard size 古帛紗, it gets quite tight with the 茶杓 and the 茶巾. In that case, I'd probably put out the 古帛紗 before the 茶杓. It's a bit unfortunate, because the purification at the beginning in this 点前 is so effortlessly beautiful. +   * 古帛紗 is 12 × 12.8, it's smaller. If you use a standard size 古帛紗, it gets quite tight with the 茶杓 and the 茶巾. In that case, my approach in 2026 is to purify the 茶杓, then while holding it put out (or put away) the 古帛紗. It works quite well, and that's how I did it for my 弓道 presentation in 2026. 
-   * Developed by Tantansai's wife for his 60th birthday in 1953. The poem on the lid was:+   * Developed by 淡々斎's wife for his 60th birthday in 1953. The poem on the lid was:
  
 > 千歳までかわらぬ いろの こはの松 きみが よばひも かくこそ あらなむ > 千歳までかわらぬ いろの こはの松 きみが よばひも かくこそ あらなむ
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    * It also sits in an odd place between 平点前 and 茶箱. You can carry the 帛紗 in your belt, or leave it on the 千歳盆 (but tucking it in during the 点前). It would be cleaner, I think in 2025, to treat this as a 茶箱 and have the 帛紗 out during the entire 点前.    * It also sits in an odd place between 平点前 and 茶箱. You can carry the 帛紗 in your belt, or leave it on the 千歳盆 (but tucking it in during the 点前). It would be cleaner, I think in 2025, to treat this as a 茶箱 and have the 帛紗 out during the entire 点前.
          * Related to that: The books say that if you start with the 帛紗 on the box, you need to finish like this, too, and vice versa. I think this is a neat time to practise different folding forms to keep things changing as per 棚 logic.          * Related to that: The books say that if you start with the 帛紗 on the box, you need to finish like this, too, and vice versa. I think this is a neat time to practise different folding forms to keep things changing as per 棚 logic.
-     * It's the only 点前 where the 薄茶器 is taken out of the box directly as it's being purified. I like this, but it feels mighty abbreviated on one hand, and a bit 盆点 on the other hand (with the 茶器 being cleaned when the 茶碗 is still out of sight). +     * It's the only 点前 where the 薄茶器 is taken out of the box directly as it's being purified. I like this, but it feels mighty abbreviated on one hand, and a bit 盆点 on the other hand (with the 茶器 being cleaned when the 茶碗 is still out of sight). In that spirit, I love how the 3 things that need purifying are purified directly one after the other: 盆・茶器・茶杓. Here I'd make a decrescendo in terms of 捌き-intensity (in 2026). 
-           * In that spirit, I love how the 3 things that need purifying are purified directly one after the other: 盆・茶器・茶杓. +    * The 茶碗 gets cleaned with the 茶巾 after the tea, but that the 茶巾 is not refolded (because the 茶碗 doesn't stay in the room).
-        * However, if I have a big 古帛紗, then the 茶杓 needs to be put at an angle so steep that there's no room for the 茶巾. Because of this, I would do it like this: +
-        * After purifying 盆 and 茶器, take out 古帛紗. Now you can either move the 茶碗 out, purify 茶杓 and then proceed to close the 鉄瓶; or take 茶杓 directly, and then 茶碗. The latter way is a bit fussy, but the first way I like. It feels more like 盆点 where the 茶碗 needs to enter the room before the 茶杓 can be cleaned. +
-    * It's a bit odd that the 茶碗 gets cleaned with the 茶巾 after the tea, but that the 茶巾 is not refolded.+