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    * This is a really fun little 棚! Originally, it was used in the 水谷, but 利休 took it to the Odawara campaign in 1590, and that's that.     * This is a really fun little 棚! Originally, it was used in the 水谷, but 利休 took it to the Odawara campaign in 1590, and that's that. 
-   * Now we use it often in March or April. It's so big that it wouldn't be very suitable for 風炉, but it gives an outside feeling, so late 炉 is a good time to use it. (At least that was my thinking. Hiromi 25, however, said that March / April is the time when lots of kids in Japan change school and thus many families //move//, and that's why she likes to use it this time around.) +   * Now we use it often in March or April. It gives an outside feeling, so late 炉 is a good time to use it. 
-   * Still, the books say you could also use it in 風炉. +         * HY 25, however, said that March / April is the time when lots of kids in Japan change school and thus many families //move//, and that's why she likes to use it this time around. 
-   * 遠州流 use the 短冊箪笥 similarly, and that one seems more suitable to use in 風炉 (in fact, I've done that for one of the early konomi presentations 🤫)+         * Still, the books say you could also use it in 風炉. And we did in VI 25, and it was quite alright! 
 +   * 遠州流 use the 短冊箪笥 similarly, and that one seems more suitable to use in 風炉 (in fact, I've done that for one of the early 好み presentations 🤫) 
 +   * Uses a 片口水次! You don't have to take the 水指 out to fill it up!
  
  
 ===Make=== ===Make===
-   * It is usually made of paulownia (which is what 利休 would've used), but there are also models made of 桑, lacquered ones with maple leaves (淡々斎） or, very pretty, one made from cedar and reed covers (玄々斎好み, of course).+   * It is usually made of paulownia (which is what 利休 would've used), but there are also models made of 桑 or 焼杉, lacquered ones with maple leaves (淡々斎）or, very pretty, one made from cedar and reed covers (玄々斎好み, of course).
    * It has two boards in it:    * It has two boards in it:
          * The upper one has a notch for the 柄杓, and there's nothing to be supposed to be put on that board. The 蓋置 lives next to the 水指 on the bottom.          * The upper one has a notch for the 柄杓, and there's nothing to be supposed to be put on that board. The 蓋置 lives next to the 水指 on the bottom.
-         * The lower one is a bit shorter, and this is where the 薄茶器 sits. It doesn't move, but it acts a little bit like the moving board in the 杉棚 (see below)+         * The lower one is a bit shorter, and this is where the 薄茶器 sits. It doesn't move, but because of it, the 水指 acts a little bit like the moving board in the 杉棚 (see below).
      * 仙叟 preferred a style with only one board that both held the 薄茶器 and 柄杓.      * 仙叟 preferred a style with only one board that both held the 薄茶器 and 柄杓.
  
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          * The 仕覆 lives in the middle of the 天板 (that means, on top of the box, in plain sight — I find this a pity, you could use the 柄杓 board for it; but it's consistent with the 徒然棚, for example. But what if you had a pin instead of a board...? 😎)          * The 仕覆 lives in the middle of the 天板 (that means, on top of the box, in plain sight — I find this a pity, you could use the 柄杓 board for it; but it's consistent with the 徒然棚, for example. But what if you had a pin instead of a board...? 😎)
          * Remember that in 濃茶 with a 棚, the 柄杓 and 蓋置 first go near the wall, and get placed on the 棚 after the 拝見物 are sorted.          * Remember that in 濃茶 with a 棚, the 柄杓 and 蓋置 first go near the wall, and get placed on the 棚 after the 拝見物 are sorted.
-         * Leave the box open and the 水指 out! After the 水次 (3 hands, resting the lid on the front side of the 水指), put the 水指 in, and close the 箪笥. Then leave with the 水次.+         * Leave the box open and leave the 水指 halfway out! After the 水次 (3 hands, resting the lid on the front side of the 水指), put the 水指 in. Close the door (since nothing else will be put in it), then leave with the 水次. 
 +   * 続薄茶: After 拝見, just put the 薄茶器 back, close the door; then get the remaining 道具 as you would normally.
    * 薄茶: Come in with 茶碗 (separated from 建水, which I find a pity). Open door, and, if not doing 芝点, get the 水指 out. Then arrange 薄茶器 and 茶碗. All remains the same, except that you //don't// close the door after 水次, but only put the 水指 back! After 拝見, you put the 茶杓 on the 棚 temporarily, then put the 薄茶器 where it needs to go, close the 箪笥 and leave with the 茶杓.    * 薄茶: Come in with 茶碗 (separated from 建水, which I find a pity). Open door, and, if not doing 芝点, get the 水指 out. Then arrange 薄茶器 and 茶碗. All remains the same, except that you //don't// close the door after 水次, but only put the 水指 back! After 拝見, you put the 茶杓 on the 棚 temporarily, then put the 薄茶器 where it needs to go, close the 箪笥 and leave with the 茶杓.
    * 総荘: 茶碗 and 薄茶器 go on the middle board after 柄杓 and 蓋置 have been put where they need to be put. Then come back with the 水次. It is interesting: The book sais to leave the 帛紗 even when you've used the 水次, and to leave it on the 水指 if it has a lacquered lid (and on the top shelf otherwise, I presume?).    * 総荘: 茶碗 and 薄茶器 go on the middle board after 柄杓 and 蓋置 have been put where they need to be put. Then come back with the 水次. It is interesting: The book sais to leave the 帛紗 even when you've used the 水次, and to leave it on the 水指 if it has a lacquered lid (and on the top shelf otherwise, I presume?).
-   * 芝点（じてん）: For 薄茶, you can either leave the middle board in, in which case you need to pull the 水指 forward before getting out the 薄茶器; or you can leave the 水指 where it is and remove the board before purifying the 薄茶器 to use as a space to put 薄茶器 and 茶筅 on similar to 茶箱! For 濃茶, you can't do 芝点.+   * {{ruby|芝点|じてん}}:  
 +         * For 薄茶, you can either leave the middle board in, in which case you need to pull the 水指 forward before getting out the 薄茶器; or you can leave the 水指 where it is and remove the board before purifying the 薄茶器 to use as a space to put 薄茶器 and 茶筅 on similar to 茶箱!  
 +         * It's not the rule to do it like this, but I think it adds a nice touch of //outside-ness// if you don't put the 薄茶器 lid next to your knees, but instead put it back on the board when schooping the tea. 
 +         * Then closing, the board goes back after the 水指 lid is closed. It's nice if the guests wait until then to ask for 拝見. 
 +         * For 濃茶, you can't do 芝点.
    * You don't use the 古帛紗 for the 茶碗 with this 棚 (according to the book, I need to verify that 🤩).    * You don't use the 古帛紗 for the 茶碗 with this 棚 (according to the book, I need to verify that 🤩).
  
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 ===Projects=== ===Projects===
    * <todo>Make the notch in mine a bit bigger.</todo>    * <todo>Make the notch in mine a bit bigger.</todo>
-   * <todo>Have a holder for 短冊 poems on the lid, or do some 蒔絵 on the back side. An epoxy one with some cherry blossom leaves would also be nice. In either way, it should have little feet, raising it off the ground ever so slightly.</todo> +   * <todo>Have a holder for 短冊 poems on the lid, or do some 蒔絵 on the back side. </todo> 
-   * <todo>For the 芝点, maybe some raised painting akin to the 菊 would be very suitable</todo>+   * <todo>For the 芝点, maybe some raised painting of fallen 桜 or 菜の花 akin to the 菊 would be very suitable. It should have little feet, raising it off the ground ever so slightly</todo>
    * <todo>Get the lock remade by a silver-smith</todo>    * <todo>Get the lock remade by a silver-smith</todo>
-   * <todo>To make one from a transparent material except for the lid (which you'd then put on the R side), that would be quite dramatic!</todo>.+   * <todo>To make one from a Swiss wood with some cutouts on the side, except for the lid (which you'd then put on the R side), that would be quite dramatic!</todo>.
Last modified: 10.04.2025:2235