ホモテナシ

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This is a really fun little 棚! Originally, it was used in the 水谷, but 利休 took it to the Odawara campaign in 1590, and that's that. Now we use it often in March or April. It's so big that it wouldn't be very suitable for 風炉, but it gives an outside feeling, so late 炉 is a good time to use it.
遠州流 use the 短冊箪笥 similarly, and that one you could use in 風炉 (in fact, I've done that for one of the early konomi presentations 🤫)

It is usually made of paulownia (which is what 利休 would've used), but there are also models made of 桑, lacquered ones with maple leaves (淡々斎） or, very pretty, one made from cedar and reed covers (玄々斎好み, of course).
It has two boards in it:
- The upper one has a notch for the 柄杓, and there's nothing to be supposed to be put on that board. The 蓋置 lives next to the 水指 on the bottom.
- The lower one is a bit shorter, and this is where the 薄茶器 sits. It doesn't move, but it acts a little bit like the moving board in the 杉棚 (see below)
仙叟 preferred a style with only one board that both held the 薄茶器 and 柄杓.

It is very similar to the 八千代 (in that one, however, the 柄杓 blocks the 水指, so after opening the cover, you put the 柄杓 and the 蓋置 on the 棚 to unlock the 水指).
It has elements of the 徒然 in that the 茶碗 is also hidden from sight in 総荘!
The middle board acts a little bit like in 杉棚
The handling of the 水指 and the door is quite similar to 紹鴎棚 (open for 濃茶, stays open until 水次)

L holds the top left corner of the door. With R, remove the pin, insert it from the side, then pull the door forward. L holds the lower L part of it, R moves to hold the upper L part of it. With both hands, lean it against the L side of the box.
I've not seen this documented somewhere, but I presume if there was a calligraphy at the back of the lid, you could lean it against the R side (probably holding L upper left, R upper right, L lower right).

濃茶: Door is already open, 水指 half-way out (similar to 紹鴎棚).
- The 仕覆 lives in the middle of the 天板 (that means, on top of the box, in plain sight — I find this a pity, you could use the 柄杓 board for it; but it's consistent with the 徒然棚, for example. But what if you had a pin instead of a board…? 😎)
- Remember that in 濃茶 with a 棚, the 柄杓 and 蓋置 first go near the wall, and get placed on the 棚 after the 拝見物 are sorted.
芝点（じてん）: For 薄茶, you can either leave the middle board in, in which case you need to pull the 水指 forward before getting out the 薄茶器; or you can leave the 水指 where it is and remove the board before purifying the 薄茶器 to use as a space to put 薄茶器 and 茶筅 on similar to 茶箱! For 濃茶, you can't do 芝点.
You don't use the 古帛紗 for the 茶碗 with this 棚 (according to the book, I need to verify that 🤩).

Make the notch in mine a bit bigger.
Have a holder for 短冊 poems on the lid, or do some 蒔絵 on the back side. An epoxy one with some cherry blossom leaves would also be nice. In either way, it should have little feet, raising it off the ground ever so slightly.
For the 芝点, maybe some raised painting akin to the 菊 would be very suitable
Get the lock remade by a silver-smith
To make one from a transparent material except for the lid (which you'd then put on the R side), that would be quite dramatic!.