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--- furo [17.06.2022:0934] – [Bronze] aequivinius
+++ furo [01.07.2022:1344] (current) – [Earthenware] aequivinius
@@ Line 3: / Line 3: @@
    * Earthenware braziers (どぶろ) appeared around XV in Murata Shukō's time, because they were more suitable to 侘茶. Famous makers were Sōshirō and Zengorō.
    * [[https://www.chanoyudecoded.com/writings/furo-style-and-form/|Palmer]] sketches the development roughly as matched 釜 and 風炉 being the first, some old 風炉 rusting away and thus needing a 五徳; giving the idea to develop the 眉（まゆ）shape, and then, under Dōan, doing away with that eyebrow and arriving at the 面取（めんとり）shape.
 ====Types====
-//The following is mostly from [[https://verdure.tyanoyu.net/huro.html|verdure]], with some anecdotes from CQ82 and the Chanoyu Vocabulary//
+//The following is mostly from [[https://verdure.tyanoyu.net/huro.html|verdure]], with some anecdotes from CQ82, the Chanoyu Vocabulary and a lecture by Larry//
+^  formality  ^  風炉                                                                 ^  板                                          ^  firetile  ^
+|  真         | 眉（まゆ）(earthernware), there's also a version by Jōō and a 大風呂  | あらめ (black lacquer with horizontal rays)  | white      |
+|  行         | everything bronze and other earthernware shapes                       |                                              | white      |
+|  草         | cast iron                                                             | ceramic tiles, usually 織部                  | red        |
 ====Earthenware====
 **Earthenware 土風炉 (どぶろ）**, associated with //Nara// where they became popular around Jōō's time, with masters such as Sōshirō being from there.
+🔥 When you got a new lacquered 風炉, warm it up carefully for the first time; otherwise the lacquer might crack. These days, you'll also find metal 風炉 which are lacquered because it's lighter; they are handled like 土風炉.
 ^  眉        |  まゆ        |  {{:huro_mayu.jpg?200}}           |  //Eyebrow// in English, 真                                                                           |
 |  **透木**  |  すきぎ      |  {{::huro_sukigi.jpg?200}}        |  Murata Shukō's invention                                                                             |
@@ Line 17: / Line 23: @@
 | **面取**   | めんとり     | {{::huro_mentori_douan.jpg?200}}  |  Also made in copper and iron                                                                         |
 | **雲龍**   | うんりゅう   | {{::huro_unryuu.jpg?200}}         |                                                                                                       |
-| **紅鉢**   | べにばさ     | {{::huro_benibati.jpg?200}}       |  //Rogue// pot, because it resembles the shape of the mortar in which saffron (//beni//) was pounded  |
+| **紅鉢**   | べにばさ     | {{::huro_benibati.jpg?200}}       |  //Rogue// pot, because it resembles the shape of the mortar in which saffron (//beni//) was pounded; can also be glazed  楽 ware  |
 | **四方**   | よほう       | {{::huro_yohou.jpg?200}}          |                                                                                                       |
 | **箪瓢**   | たんぴょう   | {{::huro_tanpyou.jpg?200}}        |  Gourd-shaped                                                                                         |
@@ Line 25: / Line 31: @@
 **Bronze 唐銅（からかね）** (an alloy of copper and other metals)
 ^ 鬼面  | きめん        |  {{::huro_kimen.jpg?200}}     | ❝the original❞ (from China, for the 台子)  |
-^ 朝鮮  | ちょうせん    |  {{::huro_cyousen.jpg?200}}   |                                            |
+^ 朝鮮  | ちょうせん    |  {{::huro_cyousen.jpg?200}}   |                 "the rule is to use 真形（しんなり）釜 with it                           |
-^ 琉球  | りゅうきゅう  |  {{::huro_ryuukyuu.jpg?200}}  |                                            |
+^ 琉球  | りゅうきゅう  |  {{::huro_ryuukyuu.jpg?200}}  |                   Legs develop directly from the body                         |
 ^ 色紙  | しきし        |  {{::huro_sikisi.jpg?200}}    | Favourite of Enshū                         |
 ^ 鳳凰  | ほうおう      |  {{::huro_houou.jpg?200}}     | Favourite of Urasenke VIII                 |
@@ Line 33: / Line 39: @@
 ====Iron====
 As for ironware, some bronze ones are also made from iron; but the only 風炉 that is always strictly iron is the 窶 (やつれ), which is used in October.
+🥹 With these, you don't use フジ灰; and you use a red fire-tile.
 ====Wood====
 There exists what is probably 利休's shittiest invention, the 板風炉（いた）:
-{{ ::huro_ita.jpg?200 |}}
+{{ ::itafuro.png?200 |}}
+====透木（すきぎ）====
+x 18 x 9 mm for 風炉, 117 x 21 x 12 for 炉; different woods favoured by different people:
+| 利休            | magnolia                            |
+| Sōtan           | paulownia (also used today mostly)  |
+| Sensō (IV)      | cherry                              |
+| Ennōsai (XIII)  | Japanese apricot                    |
+====五徳====
+   * Use of the 五徳 only came with Jōō; it is named like this because the monk who came up with the 自在（じざい）adjustable bamboo pole was reading a Buddhist text about //six virtues//, the first one being 自在, so the rest was called 五徳 (five virtues).
+   * If the 炉 is outside the host's place, it is placed so that the point of one prong faces the guest of honour's place; if it's inside, one point faces the host.
+   * In 風炉, it is placed the same way; but only one with a half ring is used to give room to the ceramic tile. For a 瓶掛け（びんかけ）you could use a small full-ring one.
+   * When used as a 蓋置, it is called 隠架（いんか）. It is one of the seven [[futaoki|lid-rests]]; and it is used when the 釜 is not using one.
+{{ ::gotoku.png?200 |}}
+====Flexions====
+   * There is a thing about the //seven flexions of the 風炉// (風炉の七歪), which I wrote about under [[hai#flexions|灰]], since it also involves moving the trivet and shaping the ash somewhat differently.

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