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haigata [01.07.2022:1353] – [灰型] aequiviniushaigata [01.07.2022:1952] (current) – [Generally] aequivinius
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-=====Flexions===== 
-   * Set the trivet so that it is equidistant from all walls.  
-   * Then, according to some old text described in [[literature|CQ82]], the trivet is pulled forward half a centimetre. This is because the 釜 should be tilted forward slightly, and like this it is still equidistant from all the 風炉 walls. 
-   * Then, move the trivet a bit to the left, and the brazier a bit to the right. 
-   * Other texts go even further in arguing for //seven flexions// (風炉の七歪,  ひずみ) — the one in CQ82 is a bit confused, so I jumbled this list together with what I could find on the internets. However, this is not a topic that many people write about; so maybe it was just some 先生 who wanted to correct //something//, at all; or, something for the different schools to differentiate themselves. 
- 
-      - Trivet half a centimetre to the front 
-      - Kettle a bit tilted to the front (so far, so good) 
-      - Kettle twisted towards the host 
-   - Brazier twisted towards the guest 
-   - Fireguard twisted a bit towards the guest (at least [[https://sokuu.exblog.jp/20833335/|one]] person does that the opposite way) 
-   - Ashes go slightly down from left to right, and front to back 
-   - 柄杓 slightly towards the host 
 =====灰型===== =====灰型=====
    * [[literature|CQ82]] argues that 灰型 is one of the few areas in 茶の湯 where the host can express his creativity, when the rest of movements is fixed and 道具 made by someone else.     * [[literature|CQ82]] argues that 灰型 is one of the few areas in 茶の湯 where the host can express his creativity, when the rest of movements is fixed and 道具 made by someone else. 
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    * Also, it gives away easily the degree of his accomplishment.    * Also, it gives away easily the degree of his accomplishment.
    * 利休 came up with this idea when he was riding on the beach with 織部    * 利休 came up with this idea when he was riding on the beach with 織部
 +   * There are no rules which to use for which situation; so it's up to your aesthetic considerations.
  
 There are 9 ash forms in 裏千家 today: There are 9 ash forms in 裏千家 today:
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    - 鱗灰（うろこ）(only for highest 点前)    - 鱗灰（うろこ）(only for highest 点前)
  
-   * There are no rules which to use for which situation; so it's up to your aesthetic considerations. 
  
-====Generally====+ 
 +=====Generally=====
    * Start by setting the height: 五徳 should be high enough to give room to the charcoal.    * Start by setting the height: 五徳 should be high enough to give room to the charcoal.
    * Continue by brushing the surface into the right shape. Doing it with a brush makes sure it is already even, making it easier to flatten.    * Continue by brushing the surface into the right shape. Doing it with a brush makes sure it is already even, making it easier to flatten.
 +   * You may form the ash the night before the 茶事, but writing the trigram and adding the [[hai|フジ灰]] should wait until the last minute
  
-====遠山====+=====二文字===== 
 +   * The tile should be in one line with the two posts of the 五徳! Use a chopstick or so to make sure they are aligned! 
 + 
 +=====遠山===== 
 +   * In ほんがって, the mountain is on the right side (closer to the guest). The bent front line is created by starting with the straight ridge, and then chopping with the rounded spoon rather than with the straight one. 
 +   * 向山（むく）in 中置
 {{ ::touyama.png?400 |}} {{ ::touyama.png?400 |}}
  
-====書き上げ====+=====書き上げ=====
  
 {{ ::yasure.png?400 |}} {{ ::yasure.png?400 |}}
  
-====鱗灰====+=====鱗灰=====
    * For 鱗灰（うろこ）, which you use for 真の行, you make a 二文字　押し切り, then take some more ash into a mortar and pestle with some water, spread it out and lay each 'scale' individually.    * For 鱗灰（うろこ）, which you use for 真の行, you make a 二文字　押し切り, then take some more ash into a mortar and pestle with some water, spread it out and lay each 'scale' individually.
  
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-=====Notes dump from seminar===== 
  
-shin: mayu earthernware, takeno joo mayu buro or ooburo ( too large for the daisu) 
-gyo: everything bronze and other shapes 
-so: cast iron 
  
-ita 
-shin: arame ita : black lacquer, horizontal rays, wider to front than far side ; use for black clay or bronze 
-plain shin nuri 
  
-generally: grain should show towards the guest (on bottom shelf, middle+=====Clips===== 
 +   * [[https://www.youtube.com/watch?v=BlmLrb78CfI|tutorial]] 
 +   * [[https://www.youtube.com/watch?v=XotYvhqd0m4&list=PLheU8mftYa5DyPIBLQxYcSF993sOqGY_R|割稽古]] for 灰型!
  
-iron furo you use ceramic tile (usually oribe)+=====☵===== 
 +[[https://www.chanoyudecoded.com/writings/furo-style-and-form/|Palmer]] explains that the trigram ☵ is written because it not only represents water, but also //north//, thus establishing the host facing north.
  
-HAI +🔥 Add this just before you add the started coal; to give more air.
-finely sifted (fukusa bai) (and the japanese got specialised sieves for it, looking like a mehlsieb +
-> 80 holes to 1 cm^2+
  
-ro > 40 holes to 1 cm^2+=====Flexions===== 
 +   * Set the trivet so that it is equidistant from all walls.  
 +   * Then, according to some old text described in [[literature|CQ82]], the trivet is pulled forward half a centimetre. This is because the 釜 should be tilted forward slightly, and like this it is still equidistant from all the 風炉 walls. 
 +   * Then, move the trivet a bit to the left, and the brazier a bit to the right. 
 +   * Other texts go even further in arguing for //seven flexions// (風炉の七歪,  ひずみ) — the one in CQ82 is a bit confused, so I jumbled this list together with what I could find on the internets. However, this is not a topic that many people write about; so maybe it was just some 先生 who wanted to correct //something//, at all; or, something for the different schools to differentiate themselves.
  
-> ask at barbequee restaurants +      - Trivet half a centimetre to the front 
- +      - Kettle a bit tilted to the front (so far, so good) 
- +      - Kettle twisted towards the host 
-haisaji +   - Brazier twisted towards the guest 
-hiraba (flat) (or koban) +   - Fireguard twisted a bit towards the guest (at least [[https://sokuu.exblog.jp/20833335/|one]] person does that the opposite way) 
-sasaba (like bamboo) +   - Ashes go slightly down from left to right, and front to back 
-maruba (round) (bend a lot) +   - 柄杓 slightly towards the host
-> copper is best +
-> can be bend carefully in a towel (if it’s not lacquered) +
-very light brush to straighten the surface +
- +
-this should suffice, but there are larger sets +
-ogawadori konnichi sell helpers,  +
- +
-add a brush or feather +
-and a bag of fujibai (when not using a iron one; adding more during high summer than at the beginning and end) +
-a chopstick for writing the trigram +
- +
- +
-TOKIMURABURA (designed by Gengensai and smaller by Tantansai +
-Tokiwa _> set, iron; green lacquer with red rim +
--> all purpose practise buro +
-seishikisumagora +
- +
-furotobai to shin no gyo +
-make nimonji oshikiri, grind ash with a little water, and put every fish scale down each one by one +
- +
-warabai in october, also standard nimonji oshikiri; put them down one by one with tweezers and cut with very fine scissors +
- +
-hosho paper, folded like for a kaishi for sweets +
-> or just use newspaper like fabio +
- +
- +
- +
-for non-iron furo you use a white mae gawara, for tetsu / iron use red +
- +
- +
- +
-getting a new urushi furo, start with smaller fires to break it in otherwise it will crack +
- +
-(today there are "clay furo" made of metal and lacquered, so that they are lighter) +
- +
- +
- +
-toyama useful for larger furo +
-> chose according to aesthetic considerations$ +
- +
- +
-height for kirikake -> its the gitcho +
- +
- +
-even though you can get people in japan to do haigta for you, at a chaji it is essential you do the haigata (and clean the toilet) yourself +
- +
- +
-do haigata the day before, but fujibai just before +
- +
- +
- +
-toyama +
-right in hongatte +
-make one side of front line round (use the bent spoon) +
-then form the mountain top +
-then brush the rest (making sure there’s enough room for charcoal) +
- +
- +
-mukoyama in nakaoki +
- +
- +
-===Ashes=== +
-   * [[https://www.youtube.com/watch?v=BlmLrb78CfI|video]]! +
- +
-=====☵===== +
-[[https://www.chanoyudecoded.com/writings/furo-style-and-form/|Palmer]] explains that the trigram ☵ is written because it not only represents water, but also //north//, thus establishing the host facing north.+
Last modified: 01.07.2022:1353