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| meta [01.07.2022:1703] – aequivinius | meta [03.07.2024:1509] (current) – [Significance] aequivinius | ||
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| + | =====CNY in general===== | ||
| * In CQ25, たにかわ てつぞ argues that 茶の湯 is composed of 4 aspects, which are all interdependent and each practitioners style will give different importance to those aspects. | * In CQ25, たにかわ てつぞ argues that 茶の湯 is composed of 4 aspects, which are all interdependent and each practitioners style will give different importance to those aspects. | ||
| * **artistic element** (さくい), | * **artistic element** (さくい), | ||
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| In CQ25, it is explained that the many rules of 茶の湯 serve as stepping stones and as a means for discipline, so that we can attain a freeness from rules. | In CQ25, it is explained that the many rules of 茶の湯 serve as stepping stones and as a means for discipline, so that we can attain a freeness from rules. | ||
| + | Miya (VI 24) explained, that there are two ways of writing it: 点前 and 手前. The first one is when actual tea is being made; the second one for charcoal etc. The 淡交テキスト also adheres to this rule. | ||
| ====Without Glossiness / Naturalness==== | ====Without Glossiness / Naturalness==== | ||
| Gengensai wrote: | Gengensai wrote: | ||