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| tana [17.09.2025:1920] – [Principles] aequivinius | tana [26.06.2026:1701] (current) – [仕覆] aequivinius | ||
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| - [[daisu|台子]] (including the 長板) | - [[daisu|台子]] (including the 長板) | ||
| - [[ootana|大棚]] | - [[ootana|大棚]] | ||
| - | - 小棚, which is really what we usually mean by 棚 today. | + | - 小棚, which is really what we usually mean by 棚 today. |
| - | - 仕付棚(しつけ), which are permanently affixed | + | - Number of tiers: single, double and triple tiered (and those without a base board) |
| + | - Shape: Square, round or something else | ||
| + | - Pillars: four, three or two. | ||
| + | - With a nail or not | ||
| + | | ||
| =====History===== | =====History===== | ||
| - | * 台子 brought from China to Japan in 1267 by a monk together with a 皆具 set; and this came to be used for preparing tea. At first in a separate room, then, around 1450, in front of the guests; still with the 台子. | + | * 台子 brought from China to Japan in 1267 by a monk together with a 皆具 set and this came to be used for preparing tea. At first in a separate room, then, around 1450, in front of the guests; still with the 台子. |
| - | * Jōō was then the first to deviate from the 台子 with the use of the 袋棚(ふくろ), a staggered 大棚 inspired by 香道. | + | |
| - | * 棚 are not used in the small room, or in large rooms where for example the 風炉 is on the ふみこみ畳, | + | |
| + | =====Use===== | ||
| + | | ||
| + | * A 仕付棚 is fine in smaller rooms. | ||
| + | * Also, they should not be used in large rooms where, for example, the 風炉 is on the ふみこみ畳, | ||
| + | * For 逆勝手, only symmetrical small 棚 are fine. | ||
| + | * At evening 茶事, it's best not to use 棚 | ||
| =====Principles==== | =====Principles==== | ||
| - | * The 薄茶器 is 陽, the 柄杓 | + | If you use a 棚, the way of displaying items on it will change during the course of the 茶事. How precisely the items are placed depends on the 棚. Generally speaking, there are the following 3 types of arrangement: |
| - | | + | * 入り飾り: |
| - | * 蜻蛉荘り is used for square or round shelves: Here, the 柄杓 | + | * 書院飾: Like in the writing room, so 柄杓 is straight. This seems to be only okay for 棚 that are at least ¼ of the 畳 width and have a straight left edge (KM26 said even the silly 更好棚 |
| - | * For long shelves, | + | |
| + | * Both 茶碗 and 茶器 are placed R of it | ||
| + | * 茶碗 to its R (and 茶器 on its own board) | ||
| + | * 蓋置 to its front R and 茶碗 in the middle R a bit further out (if there' | ||
| + | | ||
| + | * the 蓋置 | ||
| + | | ||
| + | | ||
| + | * 総荘: Full display with 茶碗・茶器・蓋置・柄杓・帛紗 | ||
| - | =====List===== | + | In terms of the different stages of the 茶事: |
| + | * 初座: You can display 羽箒 and 香合 on them; but you can also opt to carry them in in the 炭斗. If possible, also the 薄茶器 will be there already. | ||
| + | * 後座: 茶入 (in front of 水指) are present. During the 点前, the 仕覆 will land somewhere on the 棚. When finishing, remember that the 柄杓 first goes on the 建水, and then from there it and the 蓋置 may go to the 棚 (but you can also carry them out). If you have 後炭, it's preferable to evacuate the 柄杓. | ||
| + | * 薄茶: After 薄茶, you can opt to do 総荘, where the 茶碗 is also displayed on the shelf. In that case, it is cleaned as in 入子点 and the 茶巾 folded anew (unlike 台天目!). 水次 still used, but 帛紗 also left there. | ||
| - | ^ 好み | ||
| - | | Jōō (-I) | [[jouou|紹鴎棚]] | ||
| - | | Rikyū | ||
| - | | Rikyū | ||
| - | | Rikyū | ||
| - | | Sotan (III) | mulberry 及台子 | ||
| - | | Sotan (III) | 及台子 lacquered green with red edges (爪紅) | ||
| - | | Sotan (III) | 高麗台子 | ||
| - | | Senso (IV) | [[kuwakojoku|桑小卓]] | ||
| - | | Itto (VIII) | ||
| - | | Nintokusai (X) | ゆがお (Moonflower) | ||
| - | | Gengensai (XI) | [[koko|更好棚]] | ||
| - | | Gengensai (XI) | 寒雲棚(かんうん) | ||
| - | | Ennosai (XIII) | ||
| - | | Ennosai (XIII) | ||
| - | | Tantansai (XIV) | [[tsuredure|徒然]] | ||
| - | | Tantansai (XIV) | Ryusei | ||
| - | | Tantansai (XIV) | Yachiyo | ||
| - | | Tantansai (XIV) | 瓢, can be used with or without the bottom board. | ||
| - | Others | + | ====水次・水指==== |
| - | | + | * For 4 pillar 棚, lift the 水指 out of it to replenish. |
| - | | + | * For 3 pillar 棚, you do 半出し. In that case, the lid is handled with 3 hands and placed on the 水指's front (sometimes with both hands holding the lid simultaneously). |
| - | | + | |
| + | | ||
| + | * Unglazed wares, which are dampened, are only used for 運棚 and the 山里棚 (where the base board is moistened) | ||
| + | | ||
| + | * For other 棚, you do 湯返し. Even if you display the 柄杓 on the 運棚, there' | ||
| + | * 水指 should be about 80% full (70% for 運び) | ||
| - | =====点前===== | + | ====柄杓・蓋置==== |
| + | * Square shelves are //yin//, so the 柄杓 is put upwards (to make it //yang//). Round shelves are //yang//, so the 柄杓 is put downwards (to make it //yin//). Usually, more than 5 corners mean the 棚 is treated as round. | ||
| + | * Inherently, the 柄杓 (and 蓋置) is //yin//, and as such, it likes to live //above// the //yang//-y 茶器 (⚠️ The 更好棚 and 千歳棚 are notable exceptions. Here the 茶器 lives //above// the 柄杓.) | ||
| + | * If there' | ||
| + | * If the 茶器 lives in the middle, the 柄杓 is placed straight and the 蓋置 on the bottom board. | ||
| + | * If the 茶器 can move around, you can do 蜻蛉荘, where the 蓋置 and 茶器 flank the 柄杓 | ||
| + | * I think for the 五行棚 it is reversed if you opt to put the 蓋置 on the 天板. | ||
| + | * If there' | ||
| + | * In the 台子, the 蓋置 stays on it and doesn' | ||
| + | * When 棚 is used, we don't use a bamboo 蓋置. The exception are 運び棚 and, mysteriously enough, the 長板 二つ置き. | ||
| - | <WRAP info> | + | ====香合==== |
| - | | + | |
| - | * こしぐろやかん for 棚 with 4 legs | + | |
| - | </ | + | |
| - | * Generally, the 茶杓, when resting on the 棗(なつめ)or 茶入, never protrudes into the space of the 棚. This dictates the distance of the 茶入 etc. from the 棚. This is also true for boards as in 中置き(なかおき), | + | ====仕覆==== |
| - | | + | |
| - | | + | |
| - | {{ ::tana-02-01_om_23.08.01.png? | + | ====畳==== |
| + | * 台子 is placed in the center of the half-mat behind the 道具畳. That ends up being 17.5 目 (= 18) away from the knees. ( | ||
| + | * 長板 and 小棚 are 16 目 away from it (the text is a bit ambiguous, it could also mean 16 目 away from the far back). If the 敷板 is larger than the base board of the 棚, then that's the reference; so that 釜 and 水指 are aligned (as they are on the 台子). | ||
| - | * Then take 蓋置き on L, R on knee, and shift in front of 棚. | ||
| - | * Also, when you start with the 棗 on the 棚, something needs to change before you go. Either take it with you, or put it on the shelf differently. | ||
| - | ====炭 炉==== | + | ====中仕舞い==== |
| - | | + | |
| - | * Depending on 棚, 羽 and 香合 are on it already. In that case, shift in front, put 羽 down in front of it, pick up 香合 and then with both shift to face the 炉. Put down 羽 next to 炭斗, and 香合. Then 鐶, then 火箸. | + | |
| - | * Otherwise, enter with 炭斗 and place it next to the 炉; then unpack: 羽, 鐶, 火箸 and then 香合. | + | |
| - | * Close the lid with the 帛紗 | + | |
| - | * When moving 釜, shift to face 棚 and move it to its left side. | + | |
| - | + | ====茶杓==== | |
| - | ====薄茶 炉==== | + | |
| - | * 水指 lid with R, L (for opening during tea, and when filling it) | + | |
| - | * Closing: first 棗 (one hand), then 茶碗 (two hands) | + | |
| - | * For 拝見: Shift to 0° to pick up 棗, clean it at 90°, then to 45° to get 茶杓 and put it down from there. | + | |
| * After 拝見, shift in front of 棚, place 茶杓 on 水指 lid if it's lacquered, or on the 棚 if it's ceramic (?), put 棗 on 棚, and just go out with the 茶杓 | * After 拝見, shift in front of 棚, place 茶杓 on 水指 lid if it's lacquered, or on the 棚 if it's ceramic (?), put 棗 on 棚, and just go out with the 茶杓 | ||
| + | ====帛紗==== | ||
| + | * If the lid is not lacquered, you can't leave the 帛紗 on the 水指 for 総荘. In that case, it seems to prefer the top front R corner. | ||
| + | |||
| + | =====List===== | ||
| + | |||
| + | ^ 好み | ||
| + | | Jōō (-I) | [[jouou|紹鴎棚]] | ||
| + | | Rikyū | ||
| + | | Rikyū | ||
| + | | Rikyū | ||
| + | | Rikyū | ||
| + | | Sotan (III) | mulberry 及台子 | ||
| + | | Sotan (III) | 及台子 lacquered green with red edges (爪紅) | ||
| + | | Sotan (III) | 高麗台子 | ||
| + | | Senso (IV) | [[kuwakojoku|桑小卓]] | ||
| + | | Itto (VIII) | ||
| + | | Nintokusai (X) | ゆがお (Moonflower) | ||
| + | | Gengensai (XI) | [[koko|更好棚]] | ||
| + | | Gengensai (XI) | 寒雲棚(かんうん) | ||
| + | | Yumyōsai (XII) | 三友 | ||
| + | | Ennosai (XIII) | ||
| + | | Ennosai (XIII) | ||
| + | | Tantansai (XIV) | [[tsuredure|徒然]] | ||
| + | | Tantansai (XIV) | Ryusei | ||
| + | | Tantansai (XIV) | Yachiyo | ||
| + | | Tantansai (XIV) | 瓢, can be used with or without the bottom board. | ||
| + | | Tantansai (XIV)' | ||
| - | ====総荘==== | ||
| - | * You can display the 茶碗 and 棗 on practically every shelf (except for the だんす). | ||
| - | * If you do, you clean the 茶碗 as in 入子点 | ||
| - | * However, unlike 入子点, you come in with the 水次 and you don't decorate the 棚 with the 帛紗. | ||