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| tana [17.09.2025:1928] – aequivinius | tana [26.06.2026:1701] (current) – [仕覆] aequivinius | ||
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| - [[daisu|台子]] (including the 長板) | - [[daisu|台子]] (including the 長板) | ||
| - [[ootana|大棚]] | - [[ootana|大棚]] | ||
| - | - 小棚, which is really what we usually mean by 棚 today. | + | - 小棚, which is really what we usually mean by 棚 today. |
| - | - 仕付棚(しつけ), which are permanently affixed | + | - Number of tiers: single, double and triple tiered (and those without a base board) |
| + | - Shape: Square, round or something else | ||
| + | - Pillars: four, three or two. | ||
| + | - With a nail or not | ||
| + | | ||
| =====History===== | =====History===== | ||
| - | * 台子 brought from China to Japan in 1267 by a monk together with a 皆具 set; and this came to be used for preparing tea. At first in a separate room, then, around 1450, in front of the guests; still with the 台子. | + | * 台子 brought from China to Japan in 1267 by a monk together with a 皆具 set and this came to be used for preparing tea. At first in a separate room, then, around 1450, in front of the guests; still with the 台子. |
| - | * Jōō was then the first to deviate from the 台子 with the use of the 袋棚(ふくろ), a staggered 大棚 inspired by 香道. | + | |
| - | * 棚 are not used in the small room, or in large rooms where for example the 風炉 is on the ふみこみ畳, | + | |
| + | =====Use===== | ||
| + | | ||
| + | * A 仕付棚 is fine in smaller rooms. | ||
| + | * Also, they should not be used in large rooms where, for example, the 風炉 is on the ふみこみ畳, | ||
| + | * For 逆勝手, only symmetrical small 棚 are fine. | ||
| + | * At evening 茶事, it's best not to use 棚 | ||
| =====Principles==== | =====Principles==== | ||
| - | * When 棚 is used, we don' | + | If you use a 棚, the way of displaying items on it will change during the course of the 茶事. How precisely the items are placed depends on the 棚. Generally speaking, there are the following 3 types of arrangement: |
| - | | + | |
| - | | + | * 書院飾: Like in the writing room, so 柄杓 is straight. This seems to be only okay for 棚 that are at least ¼ of the 畳 width and have a straight left edge (KM26 said even the silly 更好棚 |
| - | * 蜻蛉荘り is used for square or round shelves: Here, the 柄杓 | + | |
| - | * For long shelves, | + | * Both 茶碗 and 茶器 |
| - | * 片口 if the 棚 has 3 legs or fewer and for 台子, where you don't need to remove | + | * 茶碗 to its R (and 茶器 |
| - | * **総荘**: You can display | + | * 蓋置 to its front R and 茶碗 in the middle R a bit further out (if there' |
| + | | ||
| + | * the 蓋置 | ||
| + | | ||
| + | | ||
| + | * 総荘: | ||
| - | | + | In terms of the different stages of the 茶事: |
| + | * 初座: You can display 羽箒 and 香合 on them; but you can also opt to carry them in in the 炭斗. If possible, also the 薄茶器 will be there already. | ||
| + | * 後座: 茶入 (in front of 水指) are present. During the 点前, the 仕覆 will land somewhere | ||
| + | * 薄茶: After 薄茶, you can opt to do 総荘, where the 茶碗 is also displayed on the shelf. In that case, it is cleaned as in 入子点 and the 茶巾 folded anew (unlike 台天目!). 水次 still used, but 帛紗 also left there. | ||
| + | ====水次・水指==== | ||
| + | * For 4 pillar 棚, lift the 水指 out of it to replenish. | ||
| + | * For 3 pillar 棚, you do 半出し. In that case, the lid is handled with 3 hands and placed on the 水指' | ||
| + | * For 2 pillar 棚, no need to move the 水指. | ||
| + | * With 運棚, you move the 水指 out and in in two steps. | ||
| + | * Unglazed wares, which are dampened, are only used for 運棚 and the 山里棚 (where the base board is moistened) | ||
| + | * For 運棚, a bamboo lid rest is used. | ||
| + | * For other 棚, you do 湯返し. Even if you display the 柄杓 on the 運棚, there' | ||
| + | * 水指 should be about 80% full (70% for 運び) | ||
| + | ====柄杓・蓋置==== | ||
| + | * Square shelves are //yin//, so the 柄杓 is put upwards (to make it //yang//). Round shelves are //yang//, so the 柄杓 is put downwards (to make it //yin//). Usually, more than 5 corners mean the 棚 is treated as round. | ||
| + | * Inherently, the 柄杓 (and 蓋置) is //yin//, and as such, it likes to live //above// the //yang//-y 茶器 (⚠️ The 更好棚 and 千歳棚 are notable exceptions. Here the 茶器 lives //above// the 柄杓.) | ||
| + | * If there' | ||
| + | * If the 茶器 lives in the middle, the 柄杓 is placed straight and the 蓋置 on the bottom board. | ||
| + | * If the 茶器 can move around, you can do 蜻蛉荘, where the 蓋置 and 茶器 flank the 柄杓 | ||
| + | * I think for the 五行棚 it is reversed if you opt to put the 蓋置 on the 天板. | ||
| + | * If there' | ||
| + | * In the 台子, the 蓋置 stays on it and doesn' | ||
| + | * When 棚 is used, we don't use a bamboo 蓋置. The exception are 運び棚 and, mysteriously enough, the 長板 二つ置き. | ||
| - | =====List===== | + | ====香合==== |
| + | * If there' | ||
| - | ^ 好み | + | ====仕覆==== |
| - | | Jōō (-I) | [[jouou|紹鴎棚]] | + | * If there' |
| - | | Rikyū | + | * Otherwise, it likes to live as high up as possible, either in front of the 茶器, in the middle or on the front L corner |
| - | | Rikyū | + | |
| - | | Rikyū | + | |
| - | | Sotan (III) | mulberry 及台子 | + | |
| - | | Sotan (III) | 及台子 lacquered green with red edges (爪紅) | + | |
| - | | Sotan (III) | 高麗台子 | + | |
| - | | Senso (IV) | [[kuwakojoku|桑小卓]] | + | |
| - | | Itto (VIII) | + | |
| - | | Nintokusai (X) | + | |
| - | | Gengensai (XI) | [[koko|更好棚]] | + | |
| - | | Gengensai (XI) | 寒雲棚(かんうん) | + | |
| - | | Ennosai (XIII) | + | |
| - | | Ennosai | + | |
| - | | Tantansai (XIV) | [[tsuredure|徒然]] | + | |
| - | | Tantansai (XIV) | Ryusei | + | |
| - | | Tantansai (XIV) | Yachiyo | + | |
| - | | Tantansai (XIV) | 瓢, can be used with or without the bottom board. | + | |
| - | Others that I haven' | + | ====畳==== |
| - | | + | |
| - | | + | |
| - | * [[hake|八景棚]] | + | |
| - | =====点前===== | ||
| - | * Generally, the 茶杓, when resting on the 棗 or 茶入, never protrudes into the space of the 棚. This dictates the distance of the 茶入 etc. from the 棚. This is also true for boards, as in 中置き, for example. | ||
| - | * When finishing, take 柄杓, hold with L, then turn R away from you to hold from below, and place on 棚. Make sure it's not sitting on the edge of the 棚, but within. For 濃茶, this happens after putting out the items for 拝見, but 薄茶 before. | ||
| - | {{ :: | + | ====中仕舞い==== |
| + | * Usually, with 棚, unless you're doing something //formal// (like [[kinin|貴人]]), | ||
| + | * My explanation is that we want to tone down the formality of the 棚. | ||
| - | * Then take 蓋置き on L, R on knee, and shift in front of 棚. | + | ====茶杓==== |
| - | * Also, when you start with the 棗 on the 棚, something needs to change before you go. Either take it with you, or put it on the shelf differently. | + | * After 拝見, shift in front of 棚, place 茶杓 on 水指 lid if it's lacquered, or on the 棚 if it's ceramic (?), put 棗 on 棚, and just go out with the 茶杓 |
| - | ====炭 炉==== | ||
| - | * Entering and unpacking | ||
| - | * Depending on 棚, 羽 and 香合 are on it already. In that case, shift in front, put 羽 down in front of it, pick up 香合 and then with both shift to face the 炉. Put down 羽 next to 炭斗, and 香合. Then 鐶, then 火箸. | ||
| - | * Otherwise, enter with 炭斗 and place it next to the 炉; then unpack: 羽, 鐶, 火箸 and then 香合. | ||
| - | * Close the lid with the 帛紗 | ||
| - | * When moving 釜, shift to face 棚 and move it to its left side. | ||
| + | ====帛紗==== | ||
| + | * If the lid is not lacquered, you can't leave the 帛紗 on the 水指 for 総荘. In that case, it seems to prefer the top front R corner. | ||
| - | ====薄茶 炉==== | + | =====List===== |
| - | * 水指 lid with R, L (for opening during tea, and when filling it) | + | |
| - | * Closing: first 棗 (one hand), then 茶碗 | + | ^ 好み |
| - | * For 拝見: Shift to 0° to pick up 棗, clean it at 90°, then to 45° to get 茶杓 and put it down from there. | + | | Jōō (-I) | [[jouou|紹鴎棚]] |
| - | | + | | Rikyū |
| + | | Rikyū | ||
| + | | Rikyū | ||
| + | | Rikyū | ||
| + | | Sotan (III) | mulberry 及台子 | ||
| + | | Sotan (III) | 及台子 lacquered green with red edges (爪紅) | | | ||
| + | | Sotan (III) | 高麗台子 | ||
| + | | Senso (IV) | [[kuwakojoku|桑小卓]] | ||
| + | | Itto (VIII) | 老松 | ||
| + | | Nintokusai | ||
| + | | Gengensai (XI) | [[koko|更好棚]] | ||
| + | | Gengensai (XI) | 寒雲棚(かんうん) | ||
| + | | Yumyōsai (XII) | 三友 | ||
| + | | Ennosai (XIII) | ||
| + | | Ennosai | ||
| + | | Tantansai (XIV) | [[tsuredure|徒然]] | ||
| + | | Tantansai (XIV) | Ryusei | ||
| + | | Tantansai (XIV) | Yachiyo | ||
| + | | Tantansai (XIV) | 瓢, can be used with or without | ||
| + | | Tantansai (XIV)' | ||