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| tsuri [19.04.2026:1728] – aequivinius | tsuri [20.04.2026:1838] (current) – aequivinius | ||
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| - | 後炭 is a bit tricky here, and the books are not sufficiently clear about it. The main issue is that there are several orientations from which the 釜 is handled and shifted. //Grosso modo// there is the way | + | 後炭 is a bit tricky here, and the books are not sufficiently clear about it. The main issue is that there are several orientations from which the 釜 is handled and shifted. //Grosso modo// there are two ways. I think: |
| * where you do most things facing N (🅰️) | * where you do most things facing N (🅰️) | ||
| - | * where you try to face the 釜 when working with the bail (🅱️). This requires you to put the bail againstt the 屏風 while facing NE, which I don't think is a big deal. In general, I feel 🅱️ feels nicer. | + | * where you try to face the 釜 when working with the bail (🅱️). This requires you to put the bail againstt the 屏風 while facing NE, which I don't think is a big deal. |
| - | 🅱️ | + | In general, I feel 🅱️ |
| * As in normal 後炭, unload 炭斗 first (which is only the 羽), then close the 釜 lid. | * As in normal 後炭, unload 炭斗 first (which is only the 羽), then close the 釜 lid. | ||
| - | * Shift forward to interact with the 釜: Lift the chains by 3 eyes, //then// put out the 釜敷 and detach 釜. (In the end, it's the other way around: first lower the 釜, then move yourself.) | + | * Shift forward to interact with the 釜: Lift the chains by 3 eyes, //then// put out the 釜敷 and detach 釜. (In the end, it's the other way around: first lower and steady |
| * Remove the bail (弦): | * Remove the bail (弦): | ||
| * 🅰️ While holding the attached bail, you shift to face N. This would save some shifting. (In fact, in normal 後炭, you also detach the 鐶 while you're not aligned with the 釜.) | * 🅰️ While holding the attached bail, you shift to face N. This would save some shifting. (In fact, in normal 後炭, you also detach the 鐶 while you're not aligned with the 釜.) | ||
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| * So in 初炭, you'd lower the chains by 5 now again; and I think that also makes sense here, since we're done with the 炉. | * So in 初炭, you'd lower the chains by 5 now again; and I think that also makes sense here, since we're done with the 炉. | ||
| - | * Shift to face N, attach the 鐶 and shift 釜 to NE. | + | * Shift to face N, attach the 鐶 (picking them up on the R side so that the top one will be again to the 釜's L side) and shift 釜 to NE. |
| * To detach 鐶 again. In normal 後炭, you'd shift now to face the 釜, detach the 鐶 and place them //next// to the 釜. I think this shift is also so you can sit down afterwards with the 水次 where you conceptionally stood up from. In any case, the huge 鐶 look a bit lost without the bail, so I'd put them back next to //that// rather than the 釜. | * To detach 鐶 again. In normal 後炭, you'd shift now to face the 釜, detach the 鐶 and place them //next// to the 釜. I think this shift is also so you can sit down afterwards with the 水次 where you conceptionally stood up from. In any case, the huge 鐶 look a bit lost without the bail, so I'd put them back next to //that// rather than the 釜. | ||
| * 🅰️ Stay facing N. | * 🅰️ Stay facing N. | ||
| * 🅱️ Shift to NE to detach 鐶. | * 🅱️ Shift to NE to detach 鐶. | ||
| - | * I guess you could also place them next to the 釜 as in normal 後炭, in which case it'd make sense to shift to face the 釜. | ||
| Come in with the 水次, sit to face the 釜, replenish and wet, then leave. Remember that with the 片口, the lid stays on the floor until you've finished wetting the 釜. | Come in with the 水次, sit to face the 釜, replenish and wet, then leave. Remember that with the 片口, the lid stays on the floor until you've finished wetting the 釜. | ||