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    * Here, I use the word 薄茶器 to mean non-茶入 茶器 (even though some can also be used for 濃茶).    * Here, I use the word 薄茶器 to mean non-茶入 茶器 (even though some can also be used for 濃茶).
    * {{ ::66a6a0e5681ea4b914412c6288d1be0b.pdf | impressive document}} listing different types and their 好み-ers. No clue where I got it from 🤷    * {{ ::66a6a0e5681ea4b914412c6288d1be0b.pdf | impressive document}} listing different types and their 好み-ers. No clue where I got it from 🤷
-   * It states that the first attempt at classifying 薄茶器 is by 武野紹鴎 
-   * I think Burkus somewhere explains that the 棗 is modeled after the 茶入's 挽家: 
  
-^  茶入 ^ 棗    ^ +===紹鴎好 七種=== 
-|  大海 | 平棗  | +The document above states that the first attempt at classifying 薄茶器 is by 武野紹鴎: 
-|  肩付 | 長棗  | +   - {{ruby|頭切|ずんぎり}} or 寸切 (cut off head), of which the {{ruby|金輪寺|きんりんじ}} is a famous example. 
-|  文林 | 中棗  |+   - {{ruby|臨器|のぞき}}, which belongs to a family of old, Chinese-style medicine containers used in temples. Related terms are the 西大寺茶器 and 薬器; early 茶桶. 
 +   - 帽子 (hat, so it has a protruding lid) 
 +   - 飯器 (rice vessel, but I couldn't find anything else about it) 
 +   - 薬器 
 +   - {{ruby|薬籠|やくろう}}（中次）(from which later the 面中次 and 吹雪 developed) 
 +   - 棗 (but his 棗 didn't have rounded shoulders, it was more like a little drum) 
 + 
 +利休 then developed the 棗 into different sizes and shapes (like the 平, 鶯棗 and 尻張; and the 
  
 +===仙叟 (12)===
    * 仙叟 has a set of 12 favourites, as well as 井伊直弼. 仙叟's list:    * 仙叟 has a set of 12 favourites, as well as 井伊直弼. 仙叟's list:
          - {{ruby|再来棗|さいらい}}          - {{ruby|再来棗|さいらい}}
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          - 小棗          - 小棗
          - 一服入棗 (one serving)          - 一服入棗 (one serving)
 +
 +{{ ::sotannatsume.png?400 |}}
 +
 +===如心斎 (12)===
 +Read じょしんさい, 7<sup>th</sup> generation 表千家 (Edo period, so around 1705-1751), did a lot of systematisation, such as the 七事式, and also, "to prevent the distortion of shapes", defined 12 shapes that 利休 would've liked:
 +
 +   - 大棗
 +   - 中棗
 +   - 小棗
 +   - 一服入棗
 +   - 尻張棗
 +   - 茶桶
 +   - 大吹雪
 +   - 吹雪
 +   - 面中次
 +   - {{ruby|白粉解|おしろいとき}}
 +   - {{ruby|薬器|やくき}}棗
 +   - 頭切
 +
 +Notably, it forgoes 利休's 平棗.
 +
 +===如心斎 (32)===
 +
 +Together with the 3<sup>rd</sup> generation 宗哲, he also made a 32-item set gathering from the masters before him and adding his own creation. (武野紹鴎 3 + 盛阿弥 1 + 千利休 16 + 千宗旦 3 + 古田織部 1 + 仙叟宗室 4 + 覚々斎原叟 3 + 如心斎天然宗左 1 = **32**)
 +
 +
 +^ No. ^ Creator / Form ^ Kanji ^ Reading ^ English description ^
 +| 1 | 武野紹鴎 | 大棗 | おおなつめ | Large natsume; one of Jōō's basic size forms. |
 +| 2 | 武野紹鴎 | 中棗 | ちゅうなつめ | Medium natsume; intermediate size of the basic natsume form. |
 +| 3 | 武野紹鴎 | 小棗 | こなつめ | Small natsume; smallest of Jōō's three basic sizes. |
 +| 4 | 盛阿弥 | 大棗 | おおなつめ | Large natsume; slightly larger than the later Rikyū-form ō-natsume. |
 +| 5 | 千利休 | 大棗 | おおなつめ | Large natsume in the standardized Rikyū form. |
 +| 6 | 千利休 | 中棗 | ちゅうなつめ | Medium natsume in the Rikyū form. |
 +| 7 | 千利休 | 小棗 | こなつめ | Small natsume in the Rikyū form. |
 +| 8 | 千利休 | 一服入棗 | いっぷくいりなつめ | Extremely small natsume intended to hold approximately one serving of koicha. |
 +| 9 | 千利休 | 大雪吹 | おおふぶき | Large fubuki; cylindrical form with chamfered upper and lower edges, derived from an older kara-chaoke type. |
 +| 10 | 千利休 | 小雪吹 | こふぶき | Small version of the fubuki form. |
 +| 11 | 千利休 | 面中次 | めんなかつぎ | Faceted nakatsugi; upper edge is chamfered and the lid-body joint lies around the middle. |
 +| 12 | 千利休 | 茶桶 | ちゃおけ | Cylindrical “tea-bucket” form; similar to nakatsugi but with the lid-body joint positioned higher. |
 +| 13 | 千利休 | 薬器 | やくき | Form derived from a medicine container; pronounced shoulders and a fitted cut-joint construction. |
 +| 14 | 千利休 | 下張棗 | しもはりなつめ | Natsume with gently sloping shoulders and a body that swells toward the bottom. |
 +| 15 | 千利休 | 白粉解 | おしろいとき | Form derived from a cosmetic face-powder container; regarded as an ancestor of the hira-natsume. |
 +| 16 | 千利休 | 鷲棗 | わしなつめ | Small historical natsume form associated with an early Rikyū preference and a prototype by Seiami. |
 +| 17 | 千利休 | 菊棗・大 | きくなつめ・だい | Large chrysanthemum natsume; part of a paired set connected with Rikyū's tea offering to Emperor Ōgimachi. |
 +| 18 | 千利休 | 菊棗・小 | きくなつめ・しょう | Small version of the chrysanthemum natsume. |
 +| 19 | 千利休 | 桐棗・大 | きりなつめ・だい | Large paulownia natsume; paired with the chrysanthemum forms. |
 +| 20 | 千利休 | 桐棗・中 | きりなつめ・ちゅう | Medium paulownia natsume; together the chrysanthemum and paulownia vessels form two paired types. |
 +| 21 | 千宗旦 | 溜塗中次 | ためぬりなかつぎ | Nakatsugi finished in tame lacquer over visible wood; deliberately restrained wabi taste. |
 +| 22 | 千宗旦 | 松木中棗 | まつきちゅうなつめ | Medium natsume made from pine wood, emphasizing the natural material and wabi aesthetic. |
 +| 23 | 千宗旦 | 詩中次 | うたなかつぎ | Nakatsugi with a poem written directly in ink; wood-grain tame-lacquer finish. |
 +| 24 | 古田織部 | 溜茶桶 | ためちゃおけ | Tea-bucket form in wood-grain tame lacquer (春慶塗); deep lid and archaic fitted joint. |
 +| 25 | 仙叟宗室 | 大棗（河太郎） | おおなつめ（かわたろう） | Large natsume with the centre and surrounding area of the lid deliberately depressed; called “Kawatarō.” |
 +| 26 | 仙叟宗室 | 薬器 | やくき | Sensō's version of the medicine-vessel form, distinguished by a depressed lid top. |
 +| 27 | 仙叟宗室 | 碁笥 | ごけ | Form modeled after a bowl used to hold Go stones. |
 +| 28 | 仙叟宗室 | 茶合棗 | ちゃごうなつめ | Natsume derived from the shape of a measuring vessel used for tea or medicines. |
 +| 29 | 覚々斎原叟 | 大棗 | おおなつめ | Large natsume with an old-fashioned, straight and flat lid profile (甲が一文字). |
 +| 30 | 覚々斎原叟 | 小棗 | こなつめ | Small version of Gensō's flat-topped natsume form. |
 +| 31 | 覚々斎原叟 | 菊桐雪吹・大 | きくきりふぶき・だい | Large fubuki with small chrysanthemum and paulownia motifs in maki-e on the lid. |
 +| 32 | 如心斎天然宗左 | 壺々大棗 | つぼつぼおおなつめ | Large natsume decorated with tsubo-tsubo motifs derived from small unglazed vessels traditionally used for making roasted salt. |
 +
 +===井伊直弼===
 +
 +  - **{{ruby|大棗|おおなつめ}}** — **黒漆塗**。{{ruby|柳竹|やなぎたけ}}に{{ruby|鶯|うぐいす}}を蒔絵。New-year design of willow and bamboo with a bush warbler.
 +  - **{{ruby|中棗|ちゅうなつめ}}** — **朱漆系**。{{ruby|菫|すみれ}}に{{ruby|雲雀|ひばり}}を蒔絵。Violets and a skylark, representing the first signs of spring in the fields.
 +  - **{{ruby|薬器|やくき}}** — **黒漆系**。{{ruby|桜|さくら}}に{{ruby|雉子|きじ}}を蒔絵。Cherry blossoms with a pair of pheasants.
 +  - **{{ruby|面中次|めんなかつぎ}}** — **溜塗系**。{{ruby|卯花|うのはな}}に{{ruby|郭公|ほととぎす}}を蒔絵。Deutzia blossoms and a cuckoo, a classic early-summer pairing.
 +  - **{{ruby|白粉解|おしろいとき}}** — **朱漆系**。{{ruby|橘|たちばな}}に{{ruby|水鶏|くいな}}を蒔絵。Tachibana orange and water rail, with a waterside early-summer landscape.
 +  - **{{ruby|金輪寺|きんりんじ}}** — **木地・摺漆系**。{{ruby|撫子|なでしこ}}に{{ruby|鵜飼|うかい}}を描く。Nadeshiko with cormorant fishing, including reeds, fishing boat and bonfire.
 +  - **{{ruby|下張棗|しもはりなつめ}}** — **真塗（黒漆）**。{{ruby|女郎花|おみなえし}}に{{ruby|鵲|かささぎ}}を金蒔絵。Ominaeshi and magpies; the magpie evokes the bridge of the Tanabata legend.
 +  - **{{ruby|八角中次|はっかくなかつぎ}}** — **黒漆系**。{{ruby|萩|はぎ}}に{{ruby|雁|かり}}を蒔絵。Bush clover and wild geese, an archetypal early-autumn combination.
 +  - **{{ruby|平棗|ひらなつめ}}** — **溜塗**。{{ruby|尾花|おばな}}（薄）に{{ruby|鶉|うずら}}を蒔絵。Pampas grass and quail, forming an autumn grassland scene.
 +  - **{{ruby|雪吹|ふぶき}}** — **黒漆系**。{{ruby|残菊|ざんぎく}}に{{ruby|鶴|つる}}を蒔絵。Late chrysanthemums with cranes.
 +  - ** {{ruby|丸棗|まるなつめ}}** — **洗朱塗**。{{ruby|枇杷|びわ}}に{{ruby|千鳥|ちどり}}を蒔絵。Loquat and plovers, a strongly wintry waterside design.
 +  - **{{ruby|割蓋|わりぶた}}** — **黒漆系**。{{ruby|早梅|そうばい}}に{{ruby|鴛鴦|おしどり}}を蒔絵。Early plum blossom and mandarin ducks, joining the first hint of spring with a winter bird motif.
 +
 +
 +===茶入 and 茶器===
 +
 +   * I think Burkus somewhere explains that the 棗 is modeled after the 茶入's 挽家:
 +
 +^  茶入 ^ 棗    ^
 +|  大海 | 平棗  |
 +|  肩付 | 長棗  |
 +|  文林 | 中棗  |
 +
 +
  
 =====Rest==== =====Rest====
Last modified: 29.09.2026:1035