In the 小習, it's 香合荘; but it serves several purposes and sits a bit in a peculiar position (as demonstrated by the placing of the 香合 at 環次:
「ごゆいしょは?」: Classic
荘 for a
香合 you got from somebody who means a lot to you or bearing a
花押.
「ごでんらいは?」: A prestigious
香合 like a
唐物 or one bearing a
花押. Because of that, it might be a suitable
手前 for
行の行 (suggested KM24; see
below).
👋 Note the spelling of 手前: For charcoal, you write 「手前」, for tea 「点前」.
手前
You enter with
炭斗 and
灰器, start
手前 almost as always: Because the
香合 is not in the
炭斗, however, it's 羽・環・箸・蓋. (👉 For the normal
炭, it's: 羽・環・箸・
香合・蓋.)
The
釜 moves to the middle of the
畳, and the
環 live by its side (👉 For the normal
炭, the
釜 and
環 as a pair move to the middle of the
畳.)
Then, when the time comes to lay the incense, you go out with the
灰器, and come back with the
香合. Put it in front of the
炭斗, take it with both hands, put lid back on
盆, and lay incense with your bare hands as not to damage the
香合.
The guests ask for
拝見 once the
香合 is back on the
盆 (I presume so you don't get in the awkward situation where you need to bow while holding the precious
香合.) Take
盆, shift, turn in air, and put
盆 onto
環付 and shift back until the guests have fetched it.
🤓 This is the only situation in 子習 where you put something on 環付!
台子
🫸 This is a conjecture of KM and me.
Normally, you'd have the feather and
香合 on the
台子, but because the
香合 comes in separately, the feather looks a bit lonely on the
台子. Also, in 行の行, you'd already have the
茶入 on the
盆 waiting on it; so I think it is better to enter with the feather on the
炭斗.
Because you're using the
火箸 that are already on the
台子, the
環 rest against the charcoal.
棚
HY (pre-23), however, explained that it will be very tight to do with a 棚, and even if it were possible, it would be a pretty silly idea, since you want to spotlight the 香合 and not have any distractions. In 表千家, still, they do it on the 棚.