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| chabako [09.09.2022:2049] – [Table] aequivinius | chabako [29.04.2026:2055] (current) – [History] aequivinius | ||
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| - | =====茶箱(ちゃばこ)===== | + | =====茶箱===== |
| - | Permission to learn these 点前 is given together with 小習, but there are more complicated movements that are seen in 奥伝(おくでん). | + | Permission to learn these 点前 is given together with 小習, but there are more complicated movements that are seen in the 奥伝. |
| + | ====Types==== | ||
| + | * 利休形 is made of unlacquered paulownia wood, can be small or big. | ||
| + | * Red 一閑張り lacquer ware was favoured by Sōtan. | ||
| + | * Check out this [[https:// | ||
| + | ====History==== | ||
| As [[https:// | As [[https:// | ||
| - | Check out this [[https:// | + | Now, there are six 点前. Four were originally created by 玄々斎 |
| - | ====Types==== | + | |
| - | * 利休型(りきゅうがた)is made of unlacquered paulownia wood, can be small or big. | + | |
| - | * Red 一閑張り(いっかんばり)lacquer ware was favoured by Sōtan. | + | |
| - | + | ||
| - | ====History==== | + | |
| - | There are six 点前. Four were originally created by Gengensai | + | |
| * [[yuki|雪]] (for winter) | * [[yuki|雪]] (for winter) | ||
| * [[tsuki|月]] (for autumn) | * [[tsuki|月]] (for autumn) | ||
| * [[hanadate|花]] (for spring) | * [[hanadate|花]] (for spring) | ||
| - | * [[unohana|卯の花]](うのはな)(for summer, but practised all year) | + | * [[unohana|卯の花]] (for summer, but practised all year) |
| - | Snow, moon and flower | + | There are two more, which were created by 淡々斎 (XIV): |
| + | * [[wakei|和敬]] | ||
| + | * [[shikishi|色紙点]] | ||
| - | There are two more, which were created by Tantansai (XIV): | + | |
| - | * [[wakei|和敬]](わけい) | + | |
| - | * [[shikishi|色紙点]](しきしだて) | + | ====点前==== |
| ^ name ^ season ^ atmosphere ^ created | ^ name ^ season ^ atmosphere ^ created | ||
| Line 30: | Line 31: | ||
| | [[shikishi|色紙]](しきし) | | [[shikishi|色紙]](しきし) | ||
| + | * Always after 総礼 the 茶碗 moves! | ||
| + | * KM24 had a great suggestion, even though it isn't canon: You bow at the door with the 茶箱, it's 総礼; but when you bow for the 振出し, you say 「お菓子をどうぞ」. I like this idea a lot. | ||
| + | * Here's a table comparing all 6 点前 with and without 拝見: {{ :: | ||
| - | + | ====拝見==== | |
| - | ====点前==== | + | * Because it get's quite long to ask for all the items, KM 24 just say: 「のちほど、拝見を。。。」. This happens after the host has put down the 茶碗 |
| - | + | * If you use a 帛紗 | |
| - | | ^ unohana | + | * Because often things are a set, either |
| - | | preparation | + | ====Own |
| - | | enter | bow at entrance\\ put stack at shomen\\ | + | |
| - | | arrange | + | |
| - | | surfaces | + | |
| - | | incense | + | |
| - | | pre-furidashi | + | |
| - | | furidashi | + | |
| - | | unboxing | + | |
| - | | more unboxing | + | |
| - | | finish unpacking | + | |
| - | | | {{:unohana.png? | + | |
| - | | purification | + | |
| - | | lid | close lid\\ fukusa onto tray at 0900 | + | |
| - | | disposables: | + | |
| - | | | | | + | |
| - | | yu | hot water onto chasen | + | |
| - | | disposables: | + | |
| - | | chasen tooshi | + | |
| - | | tea | okashi wo douzo\\ natsume lid goes to 0600 | + | |
| - | | serving first tea | turn kobukusa, edge is now closer to the host's knees, open | | take kobukusa from kakego with R\\ turn it, open | + | |
| - | | finishing first tea | chawan returns\\ take chawan in, put kobukusa to your right\\ hot water | | chawan returns\\ take chawan in, kobukusa to your right\\ hot water | | + | |
| - | | serving second tea | + | |
| - | | oshimai | + | |
| - | | cleaning | + | |
| - | | storing | + | |
| - | | rearranging 1 | kobukusa behind box\\ chawan onto it with RLR | | kobukusa behind box\\ chawan onto it with RLR\\ uguisu onto kobukusa' | + | |
| - | | cleaning for haiken | + | |
| - | | put out things out | take lid, turn in the air and present for haiken\\ turn to binkake, take box, turn to 45°\\ turn box on the floor, and put out | + | |
| - | | rearranging 2 | move back, tray to R\\ put chawan and kobukusa with 2 hands onto tray | | + | |
| - | | kensui | + | |
| - | | haiken | + | |
| - | | boxing | + | |
| - | | boxing 2 | chasen with R, tsutsu with L\\ chakin with R, tsutsu with L, press chakin against tsutsu to make a roll | | + | |
| - | | boxing 3 | natsume up the box\\ chawan onto its spot\\ fold kobukusa | + | |
| - | | boxing 4 | furidashi RLR (rest on palm)\\ chashaku RLR (grasp underneath in the middle) | + | |
| - | | lid | close lid\\ sabaki\\ box | + | |
| - | | closing | + | |
| - | + | ||
| - | + | ||
| - | + | ||
| - | + | ||
| - | ====Own | + | |
| - | * I think I can only truly consider these 点前 mastered when I've performed them in the setting they are ment to be carried out, that is, outside. Maybe I could try on Lindenhof, and either sit on a cushion or sit cross-legged. Make sure I use a proper 瓶掛け(びんかけ)with actual coal, lest I look silly like [[https:// | + | |
| - | * A good goal would be to be able to perform 月(つき)by the time Riedberg' | + | |
| * It would be ridiculously cute if the inside of the 茶箱 looked like a miniature 茶実, but that's probably childish. | * It would be ridiculously cute if the inside of the 茶箱 looked like a miniature 茶実, but that's probably childish. | ||
| - | * If I have this fascination with 海に出て, | + | * If I have this fascination with 「海に出て。。。」, the 和敬点 |
| - | * The simple white-ish 茶碗, 振り出し and 茶巾筒(つつ)may be quite suitable for 月, and it will probably look good against a paulownia (or some Swiss wood) backdrop. I find Ursula' | + | |
| - | * 古帛紗(こぶくさ)and 仕覆(しふく)with 草間 彌生(くさま やよい)motives! | + | |