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| chabako [29.04.2026:1552] – [茶箱(ちゃばこ)] aequivinius | chabako [29.04.2026:2055] (current) – [History] aequivinius | ||
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| =====茶箱===== | =====茶箱===== | ||
| Permission to learn these 点前 is given together with 小習, but there are more complicated movements that are seen in the 奥伝. | Permission to learn these 点前 is given together with 小習, but there are more complicated movements that are seen in the 奥伝. | ||
| + | ====Types==== | ||
| + | * 利休形 is made of unlacquered paulownia wood, can be small or big. | ||
| + | * Red 一閑張り lacquer ware was favoured by Sōtan. | ||
| + | * Check out this [[https:// | ||
| + | ====History==== | ||
| As [[https:// | As [[https:// | ||
| - | Check out this [[https:// | + | Now, there are six 点前. Four were originally created by 玄々斎 |
| - | ====Types==== | + | |
| - | * 利休型(りきゅうがた)is made of unlacquered paulownia wood, can be small or big. | + | |
| - | * Red 一閑張り(いっかんばり)lacquer ware was favoured by Sōtan. | + | |
| - | + | ||
| - | ====History==== | + | |
| - | There are six 点前. Four were originally created by Gengensai | + | |
| * [[yuki|雪]] (for winter) | * [[yuki|雪]] (for winter) | ||
| * [[tsuki|月]] (for autumn) | * [[tsuki|月]] (for autumn) | ||
| * [[hanadate|花]] (for spring) | * [[hanadate|花]] (for spring) | ||
| - | * [[unohana|卯の花]](うのはな)(for summer, but practised all year) | + | * [[unohana|卯の花]] (for summer, but practised all year) |
| - | Snow, moon and flower | + | There are two more, which were created by 淡々斎 (XIV): |
| + | * [[wakei|和敬]] | ||
| + | * [[shikishi|色紙点]] | ||
| - | There are two more, which were created by Tantansai (XIV): | + | |
| - | * [[wakei|和敬]](わけい) | + | |
| - | * [[shikishi|色紙点]](しきしだて) | + | ====点前==== |
| ^ name ^ season ^ atmosphere ^ created | ^ name ^ season ^ atmosphere ^ created | ||
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| | [[wakei|和敬]](わけい) | | [[wakei|和敬]](わけい) | ||
| | [[shikishi|色紙]](しきし) | | [[shikishi|色紙]](しきし) | ||
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| - | ====点前==== | ||
| * Always after 総礼 the 茶碗 moves! | * Always after 総礼 the 茶碗 moves! | ||
| - | | + | |
| - | + | * Here's a table comparing all 6 点前 with and without 拝見: | |
| - | {{ :: | + | |
| - | + | ||
| - | | ^ unohana | + | |
| - | | preparation | + | |
| - | | enter | bow at entrance\\ put stack at shomen\\ get kensui | + | |
| - | | arrange | + | |
| - | | surfaces | + | |
| - | | incense | + | |
| - | | pre-furidashi | + | |
| - | | furidashi | + | |
| - | | unboxing | + | |
| - | | more unboxing | + | |
| - | | finish unpacking | + | |
| - | | | {{: | + | |
| - | | purification | + | |
| - | | lid | close lid\\ fukusa onto tray at 0900 | + | |
| - | | disposables: | + | |
| - | | | | | + | |
| - | | yu | hot water onto chasen | + | |
| - | | disposables: | + | |
| - | | chasen tooshi | + | |
| - | | tea | okashi wo douzo\\ natsume lid goes to 0600 | + | |
| - | | serving first tea | turn kobukusa, edge is now closer to the host's knees, open | | take kobukusa from kakego with R\\ turn it, open | + | |
| - | | finishing first tea | chawan returns\\ take chawan in, put kobukusa to your right\\ hot water | | chawan returns\\ take chawan in, kobukusa to your right\\ hot water | | + | |
| - | | serving second tea | add hot water, dump, chakin, make tea etc. | + | |
| - | | oshimai | + | |
| - | | cleaning | + | |
| - | | storing | + | |
| - | | rearranging 1 | kobukusa behind box\\ chawan onto it with RLR | | kobukusa behind box\\ chawan onto it with RLR\\ uguisu onto kobukusa' | + | |
| - | | cleaning for haiken | + | |
| - | | put out things out | take lid, turn in the air and present for haiken\\ turn to binkake, take box, turn to 45°\\ turn box on the floor, and put out | + | |
| - | | rearranging 2 | move back, tray to R\\ put chawan and kobukusa with 2 hands onto tray | | + | |
| - | | kensui | + | |
| - | | haiken | + | |
| - | | boxing | + | |
| - | | boxing 2 | chasen with R, tsutsu with L\\ chakin with R, tsutsu with L, press chakin against tsutsu to make a roll | | + | |
| - | | boxing 3 | natsume up the box\\ chawan onto its spot\\ fold kobukusa and put into chawan\\ natsume into chawan\\ chawan stack into box with RLR (from the top) | | + | |
| - | | boxing 4 | furidashi RLR (rest on palm)\\ chashaku RLR (grasp underneath in the middle) | + | |
| - | | lid | close lid\\ sabaki\\ box | + | |
| - | | closing | + | |
| ====拝見==== | ====拝見==== | ||
| - | * Because it get's quite long to ask for all the items, KM 24 just say: 「のちほど、拝見を。。。」 | + | * Because it get's quite long to ask for all the items, KM 24 just say: 「のちほど、拝見を。。。」. This happens after the host has put down the 茶碗 and said 「お仕舞いにいたします」 |
| - | * If you use a 帛紗 for 拝見, it's best to put it back into your 着物 between the different items, rather than to leave it outside (KM 24). | + | * If you use a 帛紗 for 拝見, it's best to put it back into your 着物 between the different items, rather than to leave it outside (KM 24). This could be an opportunity to use a 出し帛紗 for 拝見, if you want (KM 26). |
| - | * It could be a good opportunity to use a 出し帛紗 for 拝見, if you want (KM 26). | + | |
| * Because often things are a set, either the guest or the host can say that this and that looks similar: 「筅筒と{{ruby|同様|どうよう}}でございます」 | * Because often things are a set, either the guest or the host can say that this and that looks similar: 「筅筒と{{ruby|同様|どうよう}}でございます」 | ||
| - | ====Own | + | ====Own |
| - | * I think I can only truly consider these 点前 mastered when I've performed them in the setting they are ment to be carried out, that is, outside. Maybe I could try on Lindenhof, and either sit on a cushion or sit cross-legged. Make sure I use a proper 瓶掛け(びんかけ)with actual coal, lest I look silly like [[https:// | + | |
| - | * A good goal would be to be able to perform 月(つき)by the time Riedberg' | + | |
| * It would be ridiculously cute if the inside of the 茶箱 looked like a miniature 茶実, but that's probably childish. | * It would be ridiculously cute if the inside of the 茶箱 looked like a miniature 茶実, but that's probably childish. | ||
| - | * If I have this fascination with 海に出て, | + | * If I have this fascination with 「海に出て。。。」, the 和敬点 |
| - | * The simple white-ish 茶碗, 振り出し and 茶巾筒(つつ)may be quite suitable for 月, and it will probably look good against a paulownia (or some Swiss wood) backdrop. I find Ursula' | + | |
| - | * 古帛紗(こぶくさ)and 仕覆(しふく)with 草間 彌生(くさま やよい)motives! | + | |