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Table of Contents
- 2 styles: 草案（そうあん）style tea room, and the 書院（しょいん）style
- 利休 would use 赤楽 in the 2 mat room, and 黒楽 in the 4.5 room
草案
- the 草案 style is not terribly new, the first reference we find in Nara period (~700 AD), in Empress Genshō's following poem:
This chamber built with barked wood
Brought from the grove nearby
And thatched with obana strems
Shall stand a thousand years
- In Okakura, he explains, however, how the tea room is made for the tea master, to his taste, and is not supposed to stand for eternity.
- More concretely, in Sakai of Jōō's time, the concept of a mountain hermitage in the city was already popular (see here)
- Transition from 書院 to 草案 style marked by the disappearing of the staggered shelves
- Jōō built a famous 4.5 畳 tea room: 同仁斎（どうじんさい）(first one actually by his teacher)
- 利休's 待庵 obviously the most famous example.
- As Rodrigues explains: These houses cost a lot of money; this povery is really very rich and wealthy.
Building One
- Pillars of 床 different from other pillars (Okakura)
- Asymmetry as a guiding principle, so the guests can complete it in their heads.
After 利休
- 織部（おりべ） then coined the 燕庵（えんなん）style: 3.75 畳, adding one mat for the attendants, and some connected rooms.
- 遠州（えんしゅう）reintroduced 書院 feel, for example in 密庵（みつあん）
- 有楽（うらく）created 如庵（じょあん）
→ No body continued 利休's style
坪ノ内 (CQ81)
- Walled space in front of 躙口（にじり ぐち）, which serves as a interim space between mundane outside world and tearoom. Later, the 路地（ろじ）would play this role