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| - | * This is a really fun little 棚! Originally, it was used in the 水谷, but 利休 took it to the Odawara campaign in 1590, and that's that. Now we use it often in March or April. It's so big that it wouldn' | + | * This is a really fun little 棚! Originally, it was used in the 水谷, but 利休 took it to the Odawara campaign in 1590, and that's that. |
| - | * 遠州流 use the 短冊箪笥 similarly, and that one you could use in 風炉 (in fact, I've done that for one of the early konomi | + | |
| + | * HY 25, however, said that March / April is the time when lots of kids in Japan change school and thus many families //move//, and that's why she likes to use it this time around. | ||
| + | * Still, the books say you could also use it in 風炉. And we did in VI 25, and it was quite alright! | ||
| + | * 遠州流 use the 短冊箪笥 similarly, and that one seems more suitable to use in 風炉 (in fact, I've done that for one of the early 好み | ||
| + | * Uses a 片口水次! You don't have to take the 水指 out to fill it up! | ||
| ===Make=== | ===Make=== | ||
| - | * It is usually made of paulownia (which is what 利休 would' | + | * It is usually made of paulownia (which is what 利休 would' |
| * It has two boards in it: | * It has two boards in it: | ||
| * The upper one has a notch for the 柄杓, and there' | * The upper one has a notch for the 柄杓, and there' | ||
| - | * The lower one is a bit shorter, and this is where the 薄茶器 sits. It doesn' | + | * The lower one is a bit shorter, and this is where the 薄茶器 sits. It doesn' |
| * 仙叟 preferred a style with only one board that both held the 薄茶器 and 柄杓. | * 仙叟 preferred a style with only one board that both held the 薄茶器 and 柄杓. | ||
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| * It has elements of the [[tsuredure|徒然]] in that the 茶碗 is also hidden from sight in 総荘! | * It has elements of the [[tsuredure|徒然]] in that the 茶碗 is also hidden from sight in 総荘! | ||
| * The middle board acts a little bit like in 杉棚 | * The middle board acts a little bit like in 杉棚 | ||
| - | * The handling of the 水指 and the door is quite similar to [[jouou|紹鴎棚]] | + | * The handling of the 水指 and the door is quite similar to [[jouou|紹鴎棚]]: The door stays open until 水次, usually. |
| + | |||
| + | 👆 Difference: with the 旅箪笥 in 薄茶, it stays open longer still, so you can put the 薄茶器 in it; in 紹鴎棚 you close the door always after the 水次. The 紹鴎棚 then has the funny afterlude where you put the 柄杓 and 蓋置 away, though I have this from a 淡交テキスト, | ||
| ===Opening=== | ===Opening=== | ||
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| * I've not seen this documented somewhere, but I presume if there was a calligraphy at the back of the lid, you could lean it against the R side (probably holding L upper left, R upper right, L lower right). | * I've not seen this documented somewhere, but I presume if there was a calligraphy at the back of the lid, you could lean it against the R side (probably holding L upper left, R upper right, L lower right). | ||
| - | ===点前=== | + | ===手前 & 点前=== |
| + | * 炭: 香合 and 羽 are on the 箪笥, in the character 八 form. | ||
| * 濃茶: Door is already open, 水指 half-way out (similar to 紹鴎棚). | * 濃茶: Door is already open, 水指 half-way out (similar to 紹鴎棚). | ||
| * The 仕覆 lives in the middle of the 天板 (that means, on top of the box, in plain sight — I find this a pity, you could use the 柄杓 board for it; but it's consistent with the 徒然棚, for example. But what if you had a pin instead of a board...? 😎) | * The 仕覆 lives in the middle of the 天板 (that means, on top of the box, in plain sight — I find this a pity, you could use the 柄杓 board for it; but it's consistent with the 徒然棚, for example. But what if you had a pin instead of a board...? 😎) | ||
| * Remember that in 濃茶 with a 棚, the 柄杓 and 蓋置 first go near the wall, and get placed on the 棚 after the 拝見物 are sorted. | * Remember that in 濃茶 with a 棚, the 柄杓 and 蓋置 first go near the wall, and get placed on the 棚 after the 拝見物 are sorted. | ||
| - | * 芝点（じてん）: For 薄茶, you can either leave the middle board in, in which case you need to pull the 水指 forward before getting out the 薄茶器; or you can leave the 水指 where it is and remove the board before purifying the 薄茶器 to use as a space to put 薄茶器 and 茶筅 on similar to 茶箱! For 濃茶, you can't do 芝点. | + | * Leave the box open and leave the 水指 halfway out! After the 水次 (3 hands, resting the lid on the front side of the 水指), put the 水指 in. Close the door (since nothing else will be put in it), then leave with the 水次. |
| + | * 続薄茶: After 拝見, just put the 薄茶器 back, close the door; then get the remaining 道具 as you would normally. | ||
| + | * 薄茶: Come in with 茶碗 (separated from 建水, which I find a pity). Open door, and, if not doing 芝点, get the 水指 out. Then arrange 薄茶器 and 茶碗. All remains the same, except that you // | ||
| + | * 総荘: 茶碗 and 薄茶器 go on the middle board after 柄杓 and 蓋置 have been put where they need to be put. Then come back with the 水次. It is interesting: | ||
| + | * {{ruby|芝点|じてん}}: | ||
| + | | ||
| + | * It's not the rule to do it like this, but I think it adds a nice touch of // | ||
| + | * Then closing, the board goes back after the 水指 lid is closed. It's nice if the guests wait until then to ask for 拝見. | ||
| + | | ||
| * You don't use the 古帛紗 for the 茶碗 with this 棚 (according to the book, I need to verify that 🤩). | * You don't use the 古帛紗 for the 茶碗 with this 棚 (according to the book, I need to verify that 🤩). | ||
| + | ===道具=== | ||
| + | * Since the 蓋置 lives near the 水指, and you need to be able to pull out the 水指 without moving the 蓋置, best to pick a more slender 水指. | ||
| + | * Still, I used a 平水指 once, and it still worked, giving a bit of a 紹鴎棚 feeling with the big ass lid being rested against the wall. In a video, I saw the 蓋置 being taken out, then 水指 being moved for the 水次. The books don't confirm this, but it seems to be a good idea to deal with a big 水指; or you could even do it like with the 八千代 棚. | ||
| + | * Since you'll often find this in March or April, the 五徳 蓋置 should be common here. | ||
| ===Projects=== | ===Projects=== | ||
| * < | * < | ||
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| * < | * < | ||
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