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| kinin [17.06.2024:1110] – aequivinius | kinin [19.06.2026:1157] (current) – [貴人薄茶] aequivinius | ||
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| - | =====貴人(きにん)===== | + | <WRAP info> |
| + | * For both 濃茶 and 薄茶, the 茶杓 is put out on top of something (帛紗 or 仕覆) for 拝見! (But not if there' | ||
| + | * Serve sweets on a 高杯 with the top 懐紙 leaf folded //towards R//. | ||
| + | </ | ||
| - | 貴人 means nobleman, and here, it refers to 貴人点(きにんだて). According to Chanoyu Vocabulary: | + | ===Background=== |
| - | > Tea is made in a new tea bowl that is set on an **unlacquered** wooden stand called 貴人台(きにんだい). Sweets are served on a pedestalled tray called | + | > Tea is made in a new tea bowl that is set on an unlacquered wooden stand called 貴人台. Sweets are served on a pedestalled tray called 高杯 (with 懐紙 |
| - | It is the first of the 小習い, and while it is against the spirit of 利休茶, it is useful to learn //the importance of consideration for the guest// (CQ57). | + | It is the first of the 小習, and while it is against the spirit of 侘び茶, it is useful to learn //the importance of consideration for the guest// (CQ57). My interpretation is to learn deference by contrast (貴人 🆚 normal person), and then carry that same deference towards everyone. |
| - | ===Most important differences=== | ||
| * Theoretically, | * Theoretically, | ||
| - | * 茶碗 on the 台 | + | * The 点前 |
| - | * The 点前 | + | |
| - | * All bows, if possible, are 真(しん)(says Christine) | + | * CQ28 says it is usually done in a large room, and 棚, 長板 and 台子 |
| - | | + | |
| - | * It always closes 本仕舞い(ほん じ まい) | + | |
| ===Handling the 茶椀台=== | ===Handling the 茶椀台=== | ||
| - | * Always touch first with R, then L (but can come quite naturally); and let go in reverse. | + | * Always touch first with R, then L (but can come quite naturally); and let go in reverse |
| - | * If there' | + | * If there' |
| - | * Don't hold at the rim (since it might break off), but well within the inside of the plate. | + | * Don't hold the 台 at the rim (since it might break off), but well within the inside of the plate. |
| * When walking, hold 茶椀 with four fingers (for 台天目, it's three) | * When walking, hold 茶椀 with four fingers (for 台天目, it's three) | ||
| * Wide grain indicates front side. | * Wide grain indicates front side. | ||
| - | * When taking 茶椀 from the 台 (or returning it), it is always assisted with a straight hand. (However, it is not assisted when discarding water into 建水. | + | * When taking 茶椀 from the 台 (or returning it), it is always assisted with a straight hand. (However, it is not assisted when discarding water into 建水, or when adding water to it.) |
| ===Sweets=== | ===Sweets=== | ||
| - | * Sweets are served on a special stand, on paper folded slightly. | + | * Sweets are served on a special stand, on paper folded slightly |
| + | * Lift the stand by holding the plate with both hands, then the L goes down to hold the stem (so you conceptually still hold it with both hands at the rim). | ||
| + | * They are brought in by the host, not by the assistant. | ||
| - | {{ ::kininsweets.jpeg?400 |}} | + | =====貴人濃茶===== |
| + | <WRAP info> | ||
| + | * 茶杓 goes on the 仕覆 for 拝見. | ||
| + | * When bringing sweets, bow //twice//: Once to give the sweets to the 貴人, then once at the door. | ||
| + | </ | ||
| - | ===Prep=== | + | * < |
| + | * If there are multiple 貴人, they get their sweets individually, | ||
| + | * 半東: After the 総礼 with the 柄杓, open door, bow, enter, close the door and sit in the 下座. When the host gets up with the 建水, you get up and bring the 道具 to the 貴人. After that, wait in the waiting 畳 until the host has left with the 水指 or 水次 //and the 貴人 have finished their 拝見//. After bringing the 道具 back, you leave, opening, bowing and closing the door. Then the host opens the door anew (KM26; I'd have left the door open). | ||
| - | {{ ::kininprep.jpeg?400 |}} | + | =====貴人清次濃茶===== |
| + | <WRAP info> | ||
| + | * Do 貴人濃茶 as you always would. //After// 「服加減」, | ||
| + | * 千鳥茶巾 stays in its spot (unlike 薄茶). | ||
| + | * The 詰 returns all the 道具 that are entrusted to the 貴人, and the non-貴人 初客 returns the 共茶碗. | ||
| + | </ | ||
| - | ===Notes=== | + | * Everything is normal: Since you have the 清次, you don't need a はんと. Bow at the door (because it's 貴人), then prepare 濃茶, but only scoop the tea (like in 重茶碗). |
| - | * Nojiri on 2 VII 21 said that sweets are brought in by host, even when there' | + | * When you serve the tea, you scoot back. The first " |
| + | | ||
| + | * Open door, come in with 共茶碗 | ||
| - | =====黄人 薄茶===== | + | ➡️ This 建水 can either be the same as before, or it can be a different one. As for the 共茶碗, it can be 楽 or something else. Since the 貴人茶碗 is new, it stands above the 一楽二萩三唐津. |
| - | | + | |
| - | | + | * Second 茶筅通し is raised only once, and then when finishing it's just サラサラ・コツン・の字. |
| - | * 茶杓 on 帛紗 during 拝見. | + | |
| + | | ||
| + | * Because the 茶杓 | ||
| - | * //Christine and I are unsure about sweets: We assume that you open the door with the sweets, bow, carry them to the 貴人, leave, bow, close the door.// | + | |
| - | | + | =====貴人薄茶===== |
| - | * The rest below is from CQ57. | + | <WRAP info> |
| - | * Open door, bow with 茶椀 on 茶椀台 , pick up 茶椀台, then stabilize | + | * If you use the 帛紗 to open the 釜, you take it with L after the 貴人 |
| - | * Go fetch 建水(けんすい), | + | |
| - | * When 柄杓 is put on 蓋置き, 半東(はんとう)opens the door, bows, slides in, turns by 180°, closes the door, pivots again, directed at the 貴人, and places the hands on the floor. (Make sure to keep wrists straight here.) | + | </ |
| - | | + | |
| - | * Continue as usual, placing 茶筅 into 茶椀 (assist with L), then moving the whole 台 towards you. When performing 茶筅とおし, | + | * Open door, bow with 茶椀 on 茶椀台, pick up 茶椀台, then stabilise |
| - | * Open 水指(みずさし)R then L (it's 炉, so only two hands as always). | + | * When 柄杓 is put on 蓋置, 半東 opens the door, bows, slides in, turns by 180°, closes the door in winter, pivots again, directed at the 貴人, and places the hands on the floor. (Make sure to keep wrists straight here.) |
| - | * When tea is prepared, pick up 台, then shift so body is aligned with right outside lining of 炉 frame while carrying 台. Then put R at 12, L at 6 (in distinct two steps; | + | * L stabilises |
| - | * 半東 stands up, sits down at about 30° from 茶椀 as not to intrude too much into the 貴人' | + | * When tea is prepared, pick up 台, then shift. Then put R at 12, L at 6 (**in the air**), turn, and turn again; and put down (shifting L). Shift back, rest hands on 畳. |
| - | * Bow when guest sais // | + | * 半東 stands up, sits down at about 30° from 茶椀 as not to intrude too much into the 貴人' |
| + | * Bow when guest says // | ||
| * 半東 stands up, sits in front of 貴人, bows, picks up 茶椀, and returns it. | * 半東 stands up, sits in front of 貴人, bows, picks up 茶椀, and returns it. | ||
| + | |||
| + | ➡️ Theoretically, | ||
| + | |||
| * Clean, and after closing 水指 lid, guest will ask to see the 道具; bow. | * Clean, and after closing 水指 lid, guest will ask to see the 道具; bow. | ||
| * After cleaning 棗 for 拝見, take 帛紗 on L, shift towards 棚, pick up 茶杓 and put it on 帛紗, securing it with the thumb. Place down, turn again to face 棚. 半東 places 道具 in front of 貴人, shifts back and bows, then sits in the 畳 beside the ふみこみ畳 so the host can exit. | * After cleaning 棗 for 拝見, take 帛紗 on L, shift towards 棚, pick up 茶杓 and put it on 帛紗, securing it with the thumb. Place down, turn again to face 棚. 半東 places 道具 in front of 貴人, shifts back and bows, then sits in the 畳 beside the ふみこみ畳 so the host can exit. | ||
| - | * Guest takes 道具 inside his 畳, separating 茶杓 and 帛紗; only looks at the 道具 when host has taken 建水 and 台, and replenished 水指. The host leaves the door open for these steps, and closes door after replenishing, | + | * Guest takes 道具 inside his 畳, separating 茶杓 and 帛紗; only looks at the 道具 when host has taken 建水 and 台, and replenished 水指. The host leaves the door open for these steps, and closes door in winter |
| - | + | ||
| - | {{ :: | + | |
| * 半東 returns 道具 (帛紗 and 茶杓 remain separate), the host converses, then takes 帛紗 back, take 棗 and 茶杓 and shifts towards 棚. Put 茶杓 on 水指, 棗 on 棚, then take 茶杓 again (R, L just below node, then R again in the middle). | * 半東 returns 道具 (帛紗 and 茶杓 remain separate), the host converses, then takes 帛紗 back, take 棗 and 茶杓 and shifts towards 棚. Put 茶杓 on 水指, 棗 on 棚, then take 茶杓 again (R, L just below node, then R again in the middle). | ||
| * Leave, bow, close door. | * Leave, bow, close door. | ||
| - | {{gallery>: | + | ====貴人清次 |
| - | + | ||
| - | ===== 貴人清次(きにん きよつぐ)===== | + | |
| <WRAP INFO> | <WRAP INFO> | ||
| For 薄茶, it's 茶巾-茶巾, | For 薄茶, it's 茶巾-茶巾, | ||
| Line 72: | Line 87: | ||
| This is a 点前 for serving a nobleman and his attendants. The point is to make a distinction between the nobleman and his attendants, so a separate tea bowl, whisk, 茶巾, sweet container, smoking set etc. are used. | This is a 点前 for serving a nobleman and his attendants. The point is to make a distinction between the nobleman and his attendants, so a separate tea bowl, whisk, 茶巾, sweet container, smoking set etc. are used. | ||
| - | * This is the only 点前 where we get to use a smoked bamboo 茶筅 called 煤竹(すすだけ) | + | * This is the only 点前 where 裏千家 |
| - | * It's always performed with 棚 | + | * Placement of 茶筅 |
| - | * Placement of 茶筅 | + | |
| There are some cues when what needs to happen: | There are some cues when what needs to happen: | ||
| * 2nd guest has taken the 1st sip: 「お茶銘は。。。」 | * 2nd guest has taken the 1st sip: 「お茶銘は。。。」 | ||
| * when the 帛紗 is picked up and / or the 茶巾 is being refolded: 「ご準備を。。。」 | * when the 帛紗 is picked up and / or the 茶巾 is being refolded: 「ご準備を。。。」 | ||
| - | * when the 帛紗 makes the 表千家 sound: ask for 拝見 | ||
| * when サラサラ, | * when サラサラ, | ||
| * for the 2nd bowl: おさきに | * for the 2nd bowl: おさきに | ||
| - | ===Handling the 千鳥板(ちどりいた)=== | + | ===Handling the 千鳥板=== |
| * Used only in 炉 | * Used only in 炉 | ||
| - | * Invented by Gengensai, so maybe he's a good one here for 茶杓' | + | * Invented by 玄々斎, so maybe he's a good one here for 茶杓' |
| - | * If it has a 花押(かおう), the side the 花押 is on is upside (and closer to the body when carried in the 着物); if it has another design, it's the other way round. | + | * If it has a 花押, the side the 花押 is on is upside (and closer to the body when carried in the 着物); if it has another design, it's the other way round. |
| - | + | ||
| - | {{gallery>: | + | |
| - | + | ||
| - | + | ||
| - | ===== 貴人濃茶(きにん こいちゃ)===== | + | |
| - | + | ||
| - | * I think 無事(ぶじ)is a good 御名, since it references the 禅語 「無事是黄人」. | + | |
| - | * If there are multiple guests, they get their sweets individually, | + | |
| - | + | ||
| - | * 棚 decorated with 棗, 茶入 in front of it. Could it also be placed on top? | + | |
| - | + | ||
| - | * Still unsure as to how the sweets are brought to the guest, and when to bow. For me, it makes most sense if door is opened by 半東, bows, sweets are carried and placed in front of guest (with a lot of distance); then goes back to 茶道口, and bows. | + | |
| - | ===== 貴人清次濃茶(きにん こいちゃ)===== | ||
| - | * This one is a lot of fun, because it is quite convoluted but also logical. | ||
| - | * We still don't know who brings the sweets | ||
| - | * Come in as usual with just 建水, then prepare tea as it happens. Then, I think after 黄人濃茶 is ready, leave with the 建水, empty it and come in again (use a different one this time?) carrying the 清次' | ||