ホモテナシ

  • Big substyles (1573-1600): Seto Black, Yellow Seto, Shino, Oribe
  • Active since Kamakura (1185–1333) period, at beginning of Muromachi period (1336) known to produce imitations of Chinese Sung Temmoku. Popular at 1522 (when a renga master donated 50 of them to a temple, for example). Many of these actually produced in Mino, though.

  • Joo had a white Seto tenmoku.

  • 1582 not just Temmoku, but han-zutsu shape began to be fired in Seto.
  • Seto Black : possibly trying to imitate 黒楽?
  • Yellow Seto : characteristic for Old Seto.
  • Shino (which is Seto White). Produced in Mino. Held in highest regard for Seto wares. Example: Hashihime. Richest native feeling of Japan, writes one critic. First temmoku shape, without decorations (like Joo's above); later with iron slip decorations (1596-1615). Made from mogusa clay.

  • There's also Nezumi Shino (eg 峯の紅葉(みね の もみじ)), made by putting an iron plate under the glaze.

  • Oribe Black | Black Oribe. Favored by Oribe (1543-1615), shoe-shaped, black glaze or with patterns. Developed from Black Seto. Used at 1599 tea gathering by Oribe. Example below: Waraya

  • Red Oribe. Arised around 1610, when people acquired a taste for odd shapes of Oribe. Coincidentally, this is the time when Japan transitions from Middle Ages to modern age. Influenced Iga, Bizen and Karatsu.
  • Oribe also liked Karatsu ware, so some Oribe ware was fired in Karatsu.