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| shichijishiki [11.07.2017:1208] – [七事式(しちじしき)] aequivinius | shichijishiki [12.09.2026:2306] (current) – [花月] aequivinius | ||
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| - | =====七事式(しちじしき)===== | + | |
| + | * Seven group exercises created by [[people|Yūgensai]] (Urasenke VIII), his brother [[people|Joshinsai]] (Omotesenke VII) and his Zen master, Mugaku Sōen. | ||
| + | * kagetsu no shiki, normally the first exercise to be learned. | ||
| + | * [[shaza|且座之式(しゃざ の しき)]], good as second step. | ||
| + | * mawarizumi no shiki (for 炉) | ||
| + | * mawaribana no shiki | ||
| + | * chabuki no shiki | ||
| + | * ichi ni san no shiki | ||
| + | * kazucha no shiki | ||
| + | * However, there are more, like the 雪月花 or the 三友! | ||
| - | Seven group exercises created by [[Yūgensai]] (Urasenke VIII), his brother [[Joshinsai]] (Omotesenke VII) and his Zen master, Mugaku Sōen. | ||
| - | * kagetsu | + | |
| - | | + | ====花月==== |
| - | | + | * In the 待合, it's 月花一二三. |
| - | | + | * The 折据え takes precedence over drinking of the tea. Because of this, we think it's nice to leave the {{ruby|札|ふだ}} to your middle once you get your tea, and put it down to your left if you need to do work. The books, however, show it the other way around. |
| - | | + | * Usually finishes 中仕舞い |
| - | | + | * When host leaves with 茶碗, the 折据え is returned to them. |
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| + | ===茶箱付き=== | ||
| + | * Officially only done with 卯の花. 瓶掛け and 鉄瓶. | ||
| + | |||
| + | * First 月 has no 帛紗 because that's in the 茶箱. Likewise, the rest of the group doesn' | ||
| + | * Once the host sits in the waiting position, they will say 「どうぞ、折据えをおまわしを」. This is only in 何々付き花月, | ||
| + | * First 花 will set up the 茶箱. When they stand up with the 建水, everyone moves up. Then they unpack the 茶箱: 総礼 with the 振出し. Directly after this, the 振出し goes to the guests. | ||
| + | | ||
| + | * For the 4< | ||
| + | * 茶碗 only returns when 折据え is with the first guest in the waiting position. The bowl is returned together with the 振出し. Then the 花 takes in the bowl, 古帛紗, 総礼. Then 帛紗 moves, 振出し comes in. At the same time, the guests take their original position in the 4.5 mat space (standing up with R if they want to go up and taking two steps backwards, or L and 3 steps). | ||
| + | * Host then removes 建水, and here the 折据え is returned then. Host sits to face 折据え, takes it and //may// put it on the 茶箱 (but can also put it in the 着物 as in 平花月). | ||
| + | * Guests move to the 8 mat area, host enters to bow. No folding of 帛紗, but just directly お先に and leave. | ||
| + | |||
| + | ===濃茶付き=== | ||
| + | In this case the 月 makes first 濃茶, and then 3 薄茶 are made. The 月 also drinks 濃茶, so they have to go to the waiting 畳 just after they sort the bowl, and then go back while 拝見. Before dumping the water, swirl it around like in 天目. First 花 will clean 棗 and put it in 火窓, second one will switch positions (茶杓 on 水指, 茶入 on 棚, 棗 in position). Third one also has to do something, I think, but I forgot what it is. There' | ||
| + | ====雪月花==== | ||
| + | * For as many people as you like (even more than seven), just add the sufficient number of ふだ. | ||
| + | * 雪 eats sweets, 月 drinks tea and 花 makes tea. The game ends as soon as one person did all 3 roles. | ||
| + | * Because there' | ||
| + | |||
| + | ====三友==== | ||
| + | * 5 people, all of whom do flowers! 亭主 brings the 花台, then the first guests does the middle vase, the second | ||
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| + | ====投げ込み==== | ||
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| + | ====貴人==== | ||
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| + | * Because of that, you need to know who will drink //before// you make the tea, so here it happens when the 月 puts the 茶碗 in their 畳. | ||
| + | * [[kininkagetsu|➡️ rough notes]] | ||
| + | |||
| + | ====room size==== | ||
| + | * 花月 is also possible in 4.5, in which case the changing 畳 is a bit annoying, especially for the 3rd guest to get out, but otherwise it works pretty normal | ||
| + | * If the おりすえ travels in a 4.5 mat room, the ふだ lives 1 line away from the border, the おりすえ 3, and 5 when it's in waiting position. In the 8 mat setup, however (for example, in 雪月花), it's 2 lines for the ふだ, and 5 or 7 lines for the おりすえ! | ||
| ====Sources==== | ====Sources==== | ||
| - | * [[Chanoyu Quarterly]] 85 | + | * [[literature|Chanoyu Quarterly]] 85 |