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| tana [20.06.2026:1545] – aequivinius | tana [26.06.2026:1701] (current) – [仕覆] aequivinius | ||
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| =====Principles==== | =====Principles==== | ||
| - | If you use a 棚, the way of displaying items on it will change during the course of the 茶事. How precisely the items are placed depends on the 棚. | + | If you use a 棚, the way of displaying items on it will change during the course of the 茶事. How precisely the items are placed depends on the 棚. Generally speaking, there are the following 3 types of arrangement: |
| - | * 初座: You can display 羽箒 and 香合 on them; but you can also opt to carry them in in the 炭斗. | + | * 入り飾り: |
| - | * 後座: | + | * 書院飾: Like in the writing room, so 柄杓 is straight. This seems to be only okay for 棚 that are at least ¼ of the 畳 width and have a straight left edge (KM26 said even the silly 更好棚 can do it! Also, the books show the 紹鴎棚 with this style, as well). |
| + | * 茶器 to its R | ||
| + | * Both 茶碗 and 茶器 are placed R of it | ||
| + | * 茶碗 to its R (and 茶器 on its own board) | ||
| + | * 蓋置 to its front R and 茶碗 in the middle R a bit further out (if there' | ||
| + | * 蜻蛉飾: Like a dragonfly, so 柄杓 diagonal, flaked by: | ||
| + | * the 蓋置 on the L and 茶器 on the R | ||
| + | * the 茶碗 on the L and the 茶器 on the R (蓋置 on the base board) | ||
| + | * the 蓋置 on the L and the 茶碗 on the R (茶器 on its own board) | ||
| + | * 総荘: Full display with 茶碗・茶器・蓋置・柄杓・帛紗 | ||
| + | |||
| + | In terms of the different stages of the 茶事: | ||
| + | * 初座: You can display 羽箒 and 香合 on them; but you can also opt to carry them in in the 炭斗. | ||
| + | * 後座: 茶入 (in front of 水指) are present. During the 点前, the 仕覆 will land somewhere on the 棚. When finishing, remember that the 柄杓 first goes on the 建水, and then from there it and the 蓋置 may go to the 棚 (but you can also carry them out). If you have 後炭, it's preferable to evacuate | ||
| * 薄茶: After 薄茶, you can opt to do 総荘, where the 茶碗 is also displayed on the shelf. In that case, it is cleaned as in 入子点 and the 茶巾 folded anew (unlike 台天目!). 水次 still used, but 帛紗 also left there. | * 薄茶: After 薄茶, you can opt to do 総荘, where the 茶碗 is also displayed on the shelf. In that case, it is cleaned as in 入子点 and the 茶巾 folded anew (unlike 台天目!). 水次 still used, but 帛紗 also left there. | ||
| - | ===水次・水指=== | + | ====水次・水指==== |
| * For 4 pillar 棚, lift the 水指 out of it to replenish. | * For 4 pillar 棚, lift the 水指 out of it to replenish. | ||
| * For 3 pillar 棚, you do 半出し. In that case, the lid is handled with 3 hands and placed on the 水指' | * For 3 pillar 棚, you do 半出し. In that case, the lid is handled with 3 hands and placed on the 水指' | ||
| Line 40: | Line 53: | ||
| * 水指 should be about 80% full (70% for 運び) | * 水指 should be about 80% full (70% for 運び) | ||
| - | ===柄杓・蓋置=== | + | ====柄杓・蓋置==== |
| * Square shelves are //yin//, so the 柄杓 is put upwards (to make it //yang//). Round shelves are //yang//, so the 柄杓 is put downwards (to make it //yin//). Usually, more than 5 corners mean the 棚 is treated as round. | * Square shelves are //yin//, so the 柄杓 is put upwards (to make it //yang//). Round shelves are //yang//, so the 柄杓 is put downwards (to make it //yin//). Usually, more than 5 corners mean the 棚 is treated as round. | ||
| * Inherently, the 柄杓 (and 蓋置) is //yin//, and as such, it likes to live //above// the //yang//-y 茶器 (⚠️ The 更好棚 and 千歳棚 are notable exceptions. Here the 茶器 lives //above// the 柄杓.) | * Inherently, the 柄杓 (and 蓋置) is //yin//, and as such, it likes to live //above// the //yang//-y 茶器 (⚠️ The 更好棚 and 千歳棚 are notable exceptions. Here the 茶器 lives //above// the 柄杓.) | ||
| * If there' | * If there' | ||
| - | * If the 茶器 lives in the middle, the 柄杓 is placed straight and the 蓋置 | + | * If the 茶器 lives in the middle, the 柄杓 is placed straight and the 蓋置 |
| * If the 茶器 can move around, you can do 蜻蛉荘, where the 蓋置 and 茶器 flank the 柄杓 | * If the 茶器 can move around, you can do 蜻蛉荘, where the 蓋置 and 茶器 flank the 柄杓 | ||
| * I think for the 五行棚 it is reversed if you opt to put the 蓋置 on the 天板. | * I think for the 五行棚 it is reversed if you opt to put the 蓋置 on the 天板. | ||
| - | * If there' | + | * If there' |
| - | * In the 台子, the 蓋置 stays on it and doesn' | + | * In the 台子, the 蓋置 stays on it and doesn' |
| * When 棚 is used, we don't use a bamboo 蓋置. The exception are 運び棚 and, mysteriously enough, the 長板 二つ置き. | * When 棚 is used, we don't use a bamboo 蓋置. The exception are 運び棚 and, mysteriously enough, the 長板 二つ置き. | ||
| - | ===香合=== | + | ====香合==== |
| * If there' | * If there' | ||
| - | ===仕覆=== | + | ====仕覆==== |
| * If there' | * If there' | ||
| + | * Otherwise, it likes to live as high up as possible, either in front of the 茶器, in the middle or on the front L corner (like in 台子). | ||
| - | ===畳=== | + | ====畳==== |
| * 台子 is placed in the center of the half-mat behind the 道具畳. That ends up being 17.5 目 (= 18) away from the knees. ( | * 台子 is placed in the center of the half-mat behind the 道具畳. That ends up being 17.5 目 (= 18) away from the knees. ( | ||
| * 長板 and 小棚 are 16 目 away from it (the text is a bit ambiguous, it could also mean 16 目 away from the far back). If the 敷板 is larger than the base board of the 棚, then that's the reference; so that 釜 and 水指 are aligned (as they are on the 台子). | * 長板 and 小棚 are 16 目 away from it (the text is a bit ambiguous, it could also mean 16 目 away from the far back). If the 敷板 is larger than the base board of the 棚, then that's the reference; so that 釜 and 水指 are aligned (as they are on the 台子). | ||
| - | ===中仕舞い=== | + | ====中仕舞い==== |
| * Usually, with 棚, unless you're doing something //formal// (like [[kinin|貴人]]), | * Usually, with 棚, unless you're doing something //formal// (like [[kinin|貴人]]), | ||
| * My explanation is that we want to tone down the formality of the 棚. | * My explanation is that we want to tone down the formality of the 棚. | ||
| - | ===茶杓=== | + | ====茶杓==== |
| * After 拝見, shift in front of 棚, place 茶杓 on 水指 lid if it's lacquered, or on the 棚 if it's ceramic (?), put 棗 on 棚, and just go out with the 茶杓 | * After 拝見, shift in front of 棚, place 茶杓 on 水指 lid if it's lacquered, or on the 棚 if it's ceramic (?), put 棗 on 棚, and just go out with the 茶杓 | ||
| + | ====帛紗==== | ||
| + | * If the lid is not lacquered, you can't leave the 帛紗 on the 水指 for 総荘. In that case, it seems to prefer the top front R corner. | ||
| =====List===== | =====List===== | ||
| - | ^ 好み | + | ^ 好み |
| - | | Jōō (-I) | + | | Jōō (-I) |
| - | | Rikyū | + | | Rikyū |
| - | | Rikyū | + | | Rikyū |
| - | | Rikyū | + | | Rikyū |
| - | | Sotan (III) | mulberry 及台子 | + | | Rikyū |
| - | | Sotan (III) | 及台子 lacquered green with red edges (爪紅) | + | | Sotan (III) | mulberry 及台子 |
| - | | Sotan (III) | 高麗台子 | + | | Sotan (III) | 及台子 lacquered green with red edges (爪紅) |
| - | | Senso (IV) | + | | Sotan (III) | 高麗台子 |
| - | | Itto (VIII) | + | | Senso (IV) |
| - | | Nintokusai (X) | + | | Itto (VIII) |
| - | | Gengensai (XI) | + | | Nintokusai (X) |
| - | | Gengensai (XI) | + | | Gengensai (XI) |
| - | | Yumyōsai (XII) | + | | Gengensai (XI) |
| - | | Ennosai (XIII) | + | | Yumyōsai (XII) |
| - | | Ennosai (XIII) | + | | Ennosai (XIII) |
| - | | Tantansai (XIV) | [[tsuredure|徒然]] | + | | Ennosai (XIII) |
| - | | Tantansai (XIV) | Ryusei | + | | Tantansai (XIV) | [[tsuredure|徒然]] |
| - | | Tantansai (XIV) | Yachiyo | + | | Tantansai (XIV) | Ryusei |
| - | | Tantansai (XIV) | 瓢, can be used with or without the bottom board. | + | | Tantansai (XIV) | Yachiyo |
| - | + | | Tantansai (XIV) | 瓢, can be used with or without the bottom board. | |
| - | Others that I haven't yet listed above: | + | | Tantansai (XIV)'s brother |
| - | * 三友棚 | + | |
| - | * [[yamazato|山里]] | + | |
| - | | + | |