ホモテナシ

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nagaita [15.01.2025:2011] aequiviniusnagaita [14.10.2025:1353] (current) aequivinius
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    * It's a practise form for 真台子.     * It's a practise form for 真台子. 
-   * The feeling should be more formal than 平, according to 櫻井先生. Elegance and simplicity!+   * The feeling should be more formal than 平前 (AS pre-2025). Elegance and simplicity!
    * Only used if room is 4.5 畳 or larger.    * Only used if room is 4.5 畳 or larger.
    * 72.7 × 30.3 × 1.2 for 炉, 84.8 × 36.4 × 1.8 for 風炉.    * 72.7 × 30.3 × 1.2 for 炉, 84.8 × 36.4 × 1.8 for 風炉.
-   * 総荘(そう かざり): Complete display, often with 皆具(かいぐ)二つ置き (水差し and 釜 in 風炉), and 一つ置き (水差し only in 炉). The last two are basically 平手前.+   * Can be used either: 
 +         * 総荘(そう かざり): Complete display, often with 皆具(かいぐ) 
 +         二つ置き (水差し and 釜 in 風炉) 
 +         *  一つ置き (水差し only in 炉) 
 + 
 +🎋 For the 二つ置き, you use a bamboo 蓋置! Which is very odd, because you're still doing 湯返し! 
    * Special 飾火箸 and special さしとし茶杓 is used if there's a 杓立.    * Special 飾火箸 and special さしとし茶杓 is used if there's a 杓立.
  
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 ====Generally==== ====Generally====
    * For 風炉 炭 and 水次(風炉 and 炉), walk to the right side of the 長板.    * For 風炉 炭 and 水次(風炉 and 炉), walk to the right side of the 長板.
-   * When taking things from or returning them to the 灼立て(しゃく たて), both hands on the 畳 in front of the 長板. So when you move the 蓋置, which is not the 灼立, the other hand remains on the lap. But when you pick up the 火箸 from the 畳, R goes to the floor.+   * When taking things from or returning them to the 灼立, both hands on the 畳 in front of the 長板. So when you move the 蓋置, which is not the 灼立, the other hand remains on the lap. But when you pick up the 火箸 from the 畳, R goes to the floor.