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| + | * Big substyles (1573-1600): | ||
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| * Active since Kamakura (1185–1333) period, at beginning of Muromachi period (1336) known to produce imitations of Chinese Sung Temmoku. Popular at 1522 (when a renga master donated 50 of them to a temple, for example). Many of these actually produced in Mino, though. | * Active since Kamakura (1185–1333) period, at beginning of Muromachi period (1336) known to produce imitations of Chinese Sung Temmoku. Popular at 1522 (when a renga master donated 50 of them to a temple, for example). Many of these actually produced in Mino, though. | ||
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| - | * 1582 not Temmoku, but // | + | * 1582 not just Temmoku, but // |
| + | * Seto Black : possibly trying to imitate 黒楽? | ||
| + | * Yellow Seto : characteristic for Old Seto. | ||
| + | * Shino (which is Seto White). Produced in Mino. Held in highest regard for Seto wares. Example: // | ||
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| + | * There' | ||
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| + | * Oribe Black | Black Oribe. Favored by Oribe (1543-1615), | ||
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| + | * Red Oribe. Arised around 1610, when people acquired a taste for odd shapes of Oribe. Coincidentally, | ||
| + | * Oribe also liked Karatsu ware, so some Oribe ware was fired in Karatsu. | ||
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